Baise moi komplett
Baise Moi Komplett Von Virginie Despentes & Coralie Trinh Thi
Komplette Handlung und Informationen zu Baise Moi - Fick mich! Nach einer Vergewaltigung begeht Nadine einen Mord im Affekt. Auf der Flucht trifft sie Manu, die. Film: Baise-moi () - seforlag.se: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. ‹Baise-moi›, sagen die Filmemacherinnen, gibt den Frauen das Recht auf ihren eigenen Körper zurück und entreißt ihn dem begrenzten Blickfeld der Männer. BAISE-MOI erzählt die Geschichte zweier Frauen, die sich nach einer Vergewaltigung an Männern rächen, in dem sie mit ihnen schlafen, um sie später zu töten. Cross-over-Traum komplett gescheitert, stellt Williams fest, um dann Idioten von Lars von Trier, Partrice Chereaus Intimacy, Baise-Moi von Virginie Despentes.
plus le supporter, je me sens comme jamais auparavant dans ma vie, ouais, baise moi, baise moi, baise moi, vaporise moi, remplis moi de ton jus chaud". Baise-moi - Fick mich! ein Film von Virginie Despentes und Coralie Trinh Thi mit Raffaëla Anderson, Karen Bach. Inhaltsangabe: Als Nadine (Karen Bach) brutal. Baise-moi. Der erschienene Skandalroman erzählt die Geschichte zweier Frauen vom Rand der französischen Gesellschaft, Nadine und Manu, die.
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Baise Moi Komplett VideoCartman baise moi maman et suite In Canadathe film was banned kostГјm blues brothers Ontario, initially because it was deemed too pornographic. Namespace Voce Discussione. Link e riferimenti da altri articoli e news a Baise-moi - Scopami. Video recensioni. Nadine is a part-time sex worker, and Manu a slacker who does anything—including occasional porn film acting—to get by in her small town in southern MпїЅdchen kinox. plus le supporter, je me sens comme jamais auparavant dans ma vie, ouais, baise moi, baise moi, baise moi, vaporise moi, remplis moi de ton jus chaud". Nachdem nun auch BAISE- 13 MOI diese neue Altersfreigabe erhalten hatte, konnte er wieder in normalen Kinos gezeigt werden. 14 15 Ein ähnliches Schicksal. Baise-moi - Fick mich! ein Film von Virginie Despentes und Coralie Trinh Thi mit Raffaëla Anderson, Karen Bach. Inhaltsangabe: Als Nadine (Karen Bach) brutal. Baise-moi. Der erschienene Skandalroman erzählt die Geschichte zweier Frauen vom Rand der französischen Gesellschaft, Nadine und Manu, die.
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While her friend struggles, screams, and fights against the rapists, Manu lies still with a detached look, which troubles the man raping her, who soon gives up.
When her friend asks Manu how she could act so detached, she replies that she "can't prevent anyone from penetrating her pussy", so she didn't leave anything precious in there.
Manu then returns to her brother's house, and does not tell him what has happened, but noticing bruises on her neck, he realizes.
He gets out a gun and asks Manu who was responsible, but when she refuses to tell him, he calls her a "slut" and implies that she actually enjoyed being raped.
In response, picking up the discarded pistol, Manu shoots him in the head. Meanwhile, Nadine returns home and has an argument with her roommate, whom she strangles and kills, before leaving with their rent money.
Nadine suffers another emotional setback when she meets her best friend, a drug dealer, in another town, but he is shot and killed while out obtaining drugs with a prescription she forged for him.
Later that night, having missed the last train, Nadine meets Manu at the railway station. Manu says she has a car, if Nadine will drive for her.
They soon realize that they share common feelings of anger, and embark on a violent and sexually charged road trip together.
In need of money, the girls hold up a shop and also kill a woman at a cash machine. In a stolen car, they are pulled over for a random check by police, whom they kill.
Another woman, who was also being checked and saw the murders, flees with them. The women stay over at their new friend's house, whose brother provides the address and details of an architect with whom he has had trouble.
The women trick their way into the architect's house and kill him. Finally, after this spree of murder and sexual activity, the two women enter a swingers' club.
One of the patrons makes a racist comment to Manu. The women kill most of the patrons there, and use a gun to anally penetrate the racist man, finally shooting him.
The pair discuss what they have done, and agree that it has all been pointless because nothing has changed in them. During their spree, the duo's crimes are reported by the press, and become a point of fascination for the entire country, with some people actually supporting them, and others afraid of them.
When Manu enters a roadside tire shop to get some coffee, she is shot by the shop owner, who is then shot by Nadine outside. Nadine takes Manu's body to a forest and burns it, before driving to a beach.
With tears in her eyes, Nadine puts the gun to her head, intending to commit suicide, but gets arrested by the police before she can do so.
It was shot on digital video without artificial lighting. This low budget method of filming divided critics—some said it gave the film an amateurish look.
Lou Lumenick, reviewing the film in the New York Post , went further and said it "looked like hell". Others, such as James Travers writing for filmsdefrance.
Travers wrote "the film's 'rough and ready' feel helps to strengthen its artistic vision and draws out the messages which it is trying to get across, without distracting its audience with overly choreographed 'shock scenes'.
The film, co-directed by Coralie Trinh Thi who had previously worked as a pornographic actress ,  included several unsimulated sex scenes.
Le Monde , for instance, called it a "sick film". Time magazine bucked the trend by saying: "Virginie Despentes and Coralie Trinh Thi's festival sensation is stark, serious and original.
And as one of the amoral avengers, Raffaela Anderson has true star quality — part seraph, all slut. In its home country, the film was initially released with a 16 rating, given by a ministerial commission.
It was the first film to be banned in France for 28 years. The Conseil later re-classified the film with an X certificate, a category usually reserved for pornographic movies.
Minister for Culture Catherine Tasca ended the debate by re-introducing an 18 certificate without the X classification, allowing the film to be re-released in mainstream theatres.
In Australia, the film was initially passed for viewing at the highest possible R18 rating in a 6—5 vote by the country's Classification Board in October However the Attorney-General invoked his powers under the Classification Act to have the board's decision reviewed.
The Classification Review Board a separate entity to the Classification Board ruled in May that the film contains "explicit, offensive and graphic depictions of sexual violence, assault and violence with an impact that is very high" and "dangerous to the community," resulting in the film being banned with a "Refused Classification" rating.
It was later revealed that 50, people had seen the film before the ban, but according to Des Clark, director of the Office of Film and Literature Classification, just "one or two" of those had complained about the film.
Most complainants, he explained, had not seen the film. An appeal of the review board's verdict failed. Despite an edited screening of the film airing on the pay World Movies channel later the same month, the film was re-banned in August In Canada , the film was banned in Ontario, initially because it was deemed too pornographic.
The producers asked for a pornographic rating, only for it to be banned because there was too much violence for a pornographic film. A second review in passed the film with an R rating.
It did, however, provoke a violent reaction from one Montreal moviegoer, who broke into the projection booth and stole the print, ending the screening.
In the United Kingdom, the film was released with an 18 certificate for its cinema release after the cut of a ten-second scene showing a close-up of a penis entering a vagina during a rape, which the Board ruled eroticized sexual assault.
The film was one of the very first to show an erect penis, and the first to combine it with scenes of violence. London Underground banned the display of the film's advertising poster because of fears that its title would offend French-speakers using its network.
In , the film was passed uncut with the 18 certificate intact. It screened only at a small number of cinemas almost all of them in arthouse cinemas in the major cities.
Virginie Despentes Sceneggiatura. Benoit Chamaillard Fotografia. Francine Lemaitre Montaggio. Varou Jan Musica.
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