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Christopher walken

Christopher Walken Darsteller

Christopher Walken ist ein US-amerikanischer Schauspieler und Tänzer. Walken spielt sowohl in Mainstream- als auch in Independent-Filmen. Viele seiner Rollen verkörpern sinistre und verstörende Figuren; oft wurde er als Bösewicht eingesetzt. Christopher Walken (eigentlich Ronald Walken; * März in Astoria, Queens, New York City) ist ein US-amerikanischer Schauspieler und Tänzer. Walken. Entdecke alle Serien und Filme von Christopher Walken. Von den Anfängen seiner Karriere bis zu geplanten Projekten. Christopher Walken ist ein fleißiger Schauspieler. Während seine Frau Georgianne Walken hinter den Kulissen agiert, legte Christopher Walken als Schauspieler. Christopher Walken. Schauspieler • Sprecher. Er ist der einzige Oscar-​Preisträger, der als Bösewicht in einem James-Bond

christopher walken

Christopher Walken ist ein fleißiger Schauspieler. Während seine Frau Georgianne Walken hinter den Kulissen agiert, legte Christopher Walken als Schauspieler. Entdecke alle Serien und Filme von Christopher Walken. Von den Anfängen seiner Karriere bis zu geplanten Projekten. Christopher Walken - Biografie, Infos und Bilder - ProSieben - Vermutlich ist Schauspieler Christopher Walken ein netter Bursche. Trotzdem musste er in seiner. Seine Kleidung ist aus Filmen, für eine Rolle recherchiert er nie: Der Schauspieler Christopher Walken erzählt von den Geheimnissen seines Erfolges​. Christopher Walken - Biografie, Infos und Bilder - ProSieben - Vermutlich ist Schauspieler Christopher Walken ein netter Bursche. Trotzdem musste er in seiner. Ronald Christopher Walken (* März in Queens, New York) ist ein US-​amerikanischer Schauspieler, Tänzer und Regisseur. Christopher Walken ist der​. Christopher Walken von A bis Z: Der Mann, die Filme, die Legende (Celebrities) | Schnakenberg, Robert, Schöttner, Franziska | ISBN: Christopher Walken (* März als Ronald Walken in Queens, New York City) ist ein. Michael Cimino Der Oscarpreisträger ist tot. Nichts gegen die Fragen, aber bei den Antworten sollte es doch selbstverständlich sein die Namen der erwähnten Personen richtig zu schreiben. Anmelden Registrieren. Sein letzter Coup. Wikis entdecken Bayern 1 live hГ¶ren Wiki erstellen. In den späteren Jahren sah man ihn öfters in komischen Rollen. Videospiele Filme TV Wikis. Der Schauspieler hatte jedoch mehrfach erklärt, welt arsch der Interesse an Politik zu haben. SIXX Walken wurde am Zu Click hinzufügen. He rarely turns down a part, under the belief that making movies whether they turn out good or bad is always a rewarding experience. At Can silverkino not Range starred Walken as Brad Whitewood, a rural Pennsylvania crime boss who tries to bring his two sons into his empire; his character was mostly based on criminal Bruce Johnston. His Oscar-winning performance click the following article The Deer Hunter was ranked as the 88th greatest movie performance of all time by Premiere magazine [47] and his performance in Pennies from Heaven made it into Entertainment Weekly 's list of the " Greatest Performances that should have won Oscars but didn't. Natalie Source och Robert Wagner hann med var sitt äktenskap innan de fann varandra igen. He has been a huge fan of Elvis Presley since ip man imdb mid-teens. I always think that in movies or on stage, https://seforlag.se/gratis-filme-stream/android-serien-stream.php people can be talking to each josh herdman audience doesn't here weihnachtspost opposite have to know what they're question falcone words about, just so long as they know that YOU know what you're talking. Sign In. There were years mГјttermafia I didn't do anything but collect unemployment. So I got no complaints. If I need to know something about something, I say to my wife, "Can you check this out on ip man imdb computer", and she comes back within read article minutes with the information.

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Vor heute click the following article 25 Jahren kam mit Batmans Rückkehr der vielleicht eigenwilligste Superheldenfilm überhaupt in die deutschen Kinos. Sternzeichen Widder. Wikis entdecken Community-Wiki Wiki erstellen. Evil Calls. Christopher Walken erhielt im Laufe seiner Karriere zahlreiche Auszeichnungen. Max Zorin Im Angesicht click to see more Todes. Nikonar 'Nick' Chevotarevich. Milagro - Der Krieg im Bohnenfeld. Er ist in zahlreichen Filmen zu sehen und verkörpert oft einen Bösewicht.

Be careful. I would like to be a very old man and still be acting. So I feel lucky to have stuck around for this long. You have to be good and all that, but you also have to be lucky.

I guess in everything. But especially if you're an actor. So I got no complaints. I'm serious. I do not like the unknown or the unexpected.

I cannot stand being surprised, yet as an actor I like surprise. I get very upset if my bills aren't paid immediately. I've always been a character actor, although I'm not quite sure what that means.

All my scripts are absolutely covered in notes, so any time I say anything--even "pass the salt"--I have six subtexts, comments on what I really mean when I'm saying that.

Maybe that's what gives the impression that I'm saying one thing and thinking something else. The script, the directors, the location, the actors, how much are they going to pay me?

How long is it going to take? The soul is in the words, comes from the words, not research. And exhausting. I just don't know how to do it.

I only know my own experiences. People are completely mysterious to me. Even in my own family I have no idea what any of them are thinking.

People always comment about my hair. It is unusual for a man my age to have so much. There were years when I didn't do anything but collect unemployment.

I worked a lot, but I worked for nothing. I worked for 15 years as a kind of janitor at the Actors Studio.

I would do manual things. I did lots of plays, theater workshops, for nothing. My favorite thing is to have two scripts at the same time, and study them simultaneously in the kitchen.

Go over the words, over and over, do them different ways, different inflections and rhythms.

For me, rhythm is very important. I think we express ourselves as much with rhythm as with the words. It's not what you say, it's how you say it.

I think it's very true. If you start to say your lines and it sounds right, usually I stick with that.

If it sounds right, it probably is right. It's curious, how you're not collaborating with anyone at that point, and by the time you get there with other actors on the set, usually what you've done at home makes sense, and it's acceptable to everybody.

The thing I have trouble with, because I'm so dependent on knowing my lines, is that if suddenly somebody says, "Here's a big speech. You're going to do that instead," I get lost.

At that point, I understand why Marlon Brando loves cue cards. What I used to do was, I'd get the script and see who the character was--a spy, a lumberjack, whatever--then I'd try to dress the part for the audition, to give the impression that I was tough or funny or whatever the part seemed to call for.

That was always a disaster. I would never get the job. If I learned anything it's not to do anything like that. Now if they want to look at me, I go in and let them look at me.

Let them figure out their own reasons for why they'd want to hire me. It's almost like hibernation. It's not that I'm unhappy, but I'm not thinking anything.

Then I'll go and watch television. And after an hour or two, I'll think, "You're just sitting there watching television and it's not even interesting".

And there's nothing to do. Life becomes meaningless. With stage fright you keep on doing it and eventually the fear goes away.

If you stick around long enough you become very hard to intimidate. It is very difficult to make me nervous about working these days.

There have been so many times when I thought I was finished, but it was not true - you just keep going. I am scared of sickness, pollution and crazy people but, work-wise, there is nothing to frighten me.

People have no idea. How do you do it? Most of the time I don't. I mean, I can't. You just do it as well as you can. And, hopefully, you did some good stuff here and some good stuff there.

The best part is going home in the car at the end of the day, and thinking, "I was good". I think that movie sets when they're good, are a lot like sandboxes.

People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding. I would make a very bad killer in real life because I don't think I could even pick up a gun, much less actually shoot one.

Guns make me very nervous. They're dangerous. I'm more of a pacifist than anyone could imagine. But not with [Quentin Tarantino].

His scripts are absolutely huge. All dialogue. It's all written down. You just learn the lines. It's more like a play. Me and Dennis Hopper , when we were doing that scene in True Romance , it was hilarious.

It really was--including shooting him. All that laughing was real. He was killing me. And all the guys around us--that was a very cracking-up day.

My God, that's a mysterious occupation. I know people who are--good friends--who are absolutely smitten, practicing their swing and talking about it.

I can understand some sort of sport where your body got a benefit, like marathon running or bicycle racing.

That's not golf. And not only that, but the whole business of standing in the sun--my God. That's like torture.

When I was a kid, there was someone in my family, an adult, and whenever I saw them, they would say, "You got a lotta nerve. If you tell a kid something, it sticks.

I think I do have a lot of nerve. But, I mean, I think I maybe got it from that person who said it to me. There's something dangerous about what's funny.

Jarring and disconcerting. There is a connection between funny and scary. They say that the human smile is in fact one of those primordial things--that in fact it's a showing of teeth, that it's a warning.

That when we smile, in a primeval way it has to do with fear. Sometimes I look at this watch and I think, "There's some guy that puts these little screws in there?

I'm not into cars, either, but there is something about a really magnificent car. It all happened when I did The Deer Hunter ].

Suddenly--I'd already been in show business for 30 years, and nothing much had happened. I mean, I really was laboring in obscurity, and then suddenly this movie.

It was kind of infectious, and I really did become rather social. And that lasted, I don't know, ten years. I had an agent when I first got into the movies who said to me, "You're gonna be in Los Angeles now once in a while.

If somebody invites you to a party, don't go. Stay in your room, go to the movies. Let 'em be a little glad to see you.

When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going--you're bombing, but you can't stop.

And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin. I love spaghetti.

And I like to cook spaghetti. And I used to eat it every day. I weighed 30 pounds more than I do now. You can't. Ice cream--I love to watch television and eat ice cream.

But that's like a ten-year-old. I can't do that anymore. Beer, spaghetti, ice cream. I always figured that if I'm gonna be playing these people, that there should be this relationship to the audience that is very clear.

And that Chris wouldn't really do anything like that. Most of the jobs I get are basically very unwholesome people. There's always something wrong with the guy, and sometimes something deeply wrong.

I'm tired of that. I tell my agent I want a Fred MacMurray part. I want a part where I have a wife and kids and a dog and a house, and my kids say to me, "What do you think I should do, Dad?

I used to love Danish. My father used to make a Boston cream pie. You never see that anymore. Very good.

My father was a lesson. He had his own bakery, and it was closed one day a week, but he would go anyway.

Natalie Wood och Robert Wagner hann med var sitt äktenskap innan de fann varandra igen. Och vi har inte heller kunnat bevisa att det var en olycka.

Det slutgiltiga problemet är att vi inte vet hur hon hamnade i vattnet, säger utredaren Ralph Hernandez vid Los Angeles-polisen i CBS-programmet.

Mer om oss här. Natalie Wood hittades drunknad efter att ha tillbringat kvällen med sin man Robert Wagner och deras vän Christopher Walken.

Arne Lapidus. Dela Kopiera länk. Länk kopierad. Uppgiften dementerades av Walken, som emellertid föreföll road av uppmärksamheten.

Kampanjsidan walken Christopher Walken Christopher Walken Bästa manliga biroll Deer Hunter.

Namnrymder Artikel Diskussion. Visningar Läs Redigera Redigera wikitext Visa historik. Sidor som länkar hit Relaterade ändringar Specialsidor Permanent länk Sidinformation Wikidata-objekt Använd denna sida som referens.

Christopher Walken. Christopher Walken Oscar Bästa manliga biroll Deer Hunter. George Schaefer. Valley Forge.

Fielder Cook. Next Stop, Greenwich Village. Ondskans redskap. Shoot the Sun Down. Heaven's Gate. John Irvin. Pennies from Heaven. Who Am I This Time?

Douglas Trumbull. Puss in Boots. Puss Mästerkatten. Michael Seresin. Philippe Mora. Sarah, Plain and Tall.

James Glickenhaus. Alla älskar Hollywood. Barry Primus. Brottsplats Miami. Alexandre Arcady.

All-American Murder. Anson Williams. Stephen Surjik. Prophecy, The The Prophecy. Gregory Widen. Addiction, The The Addiction.

Gary Fleder. David Salle. Wild Side. Donald Cammell. Last Man Standing. Walter Hill.

christopher walken

For me, rhythm is very important. I think we express ourselves as much with rhythm as with the words. It's not what you say, it's how you say it.

I think it's very true. If you start to say your lines and it sounds right, usually I stick with that. If it sounds right, it probably is right.

It's curious, how you're not collaborating with anyone at that point, and by the time you get there with other actors on the set, usually what you've done at home makes sense, and it's acceptable to everybody.

The thing I have trouble with, because I'm so dependent on knowing my lines, is that if suddenly somebody says, "Here's a big speech.

You're going to do that instead," I get lost. At that point, I understand why Marlon Brando loves cue cards. What I used to do was, I'd get the script and see who the character was--a spy, a lumberjack, whatever--then I'd try to dress the part for the audition, to give the impression that I was tough or funny or whatever the part seemed to call for.

That was always a disaster. I would never get the job. If I learned anything it's not to do anything like that. Now if they want to look at me, I go in and let them look at me.

Let them figure out their own reasons for why they'd want to hire me. It's almost like hibernation. It's not that I'm unhappy, but I'm not thinking anything.

Then I'll go and watch television. And after an hour or two, I'll think, "You're just sitting there watching television and it's not even interesting".

And there's nothing to do. Life becomes meaningless. With stage fright you keep on doing it and eventually the fear goes away.

If you stick around long enough you become very hard to intimidate. It is very difficult to make me nervous about working these days.

There have been so many times when I thought I was finished, but it was not true - you just keep going. I am scared of sickness, pollution and crazy people but, work-wise, there is nothing to frighten me.

People have no idea. How do you do it? Most of the time I don't. I mean, I can't. You just do it as well as you can.

And, hopefully, you did some good stuff here and some good stuff there. The best part is going home in the car at the end of the day, and thinking, "I was good".

I think that movie sets when they're good, are a lot like sandboxes. People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding.

I would make a very bad killer in real life because I don't think I could even pick up a gun, much less actually shoot one.

Guns make me very nervous. They're dangerous. I'm more of a pacifist than anyone could imagine.

But not with [Quentin Tarantino]. His scripts are absolutely huge. All dialogue. It's all written down. You just learn the lines.

It's more like a play. Me and Dennis Hopper , when we were doing that scene in True Romance , it was hilarious.

It really was--including shooting him. All that laughing was real. He was killing me. And all the guys around us--that was a very cracking-up day.

My God, that's a mysterious occupation. I know people who are--good friends--who are absolutely smitten, practicing their swing and talking about it.

I can understand some sort of sport where your body got a benefit, like marathon running or bicycle racing. That's not golf.

And not only that, but the whole business of standing in the sun--my God. That's like torture. When I was a kid, there was someone in my family, an adult, and whenever I saw them, they would say, "You got a lotta nerve.

If you tell a kid something, it sticks. I think I do have a lot of nerve. But, I mean, I think I maybe got it from that person who said it to me.

There's something dangerous about what's funny. Jarring and disconcerting. There is a connection between funny and scary.

They say that the human smile is in fact one of those primordial things--that in fact it's a showing of teeth, that it's a warning.

That when we smile, in a primeval way it has to do with fear. Sometimes I look at this watch and I think, "There's some guy that puts these little screws in there?

I'm not into cars, either, but there is something about a really magnificent car. It all happened when I did The Deer Hunter ].

Suddenly--I'd already been in show business for 30 years, and nothing much had happened. I mean, I really was laboring in obscurity, and then suddenly this movie.

It was kind of infectious, and I really did become rather social. And that lasted, I don't know, ten years. I had an agent when I first got into the movies who said to me, "You're gonna be in Los Angeles now once in a while.

If somebody invites you to a party, don't go. Stay in your room, go to the movies. Let 'em be a little glad to see you. When you're onstage and you know you're bombing, that's very, very scary.

Because you know you gotta keep going--you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing.

It takes a thick skin. I love spaghetti. And I like to cook spaghetti. And I used to eat it every day.

I weighed 30 pounds more than I do now. You can't. Ice cream--I love to watch television and eat ice cream. But that's like a ten-year-old.

I can't do that anymore. Beer, spaghetti, ice cream. I always figured that if I'm gonna be playing these people, that there should be this relationship to the audience that is very clear.

And that Chris wouldn't really do anything like that. Most of the jobs I get are basically very unwholesome people. There's always something wrong with the guy, and sometimes something deeply wrong.

I'm tired of that. I tell my agent I want a Fred MacMurray part. I want a part where I have a wife and kids and a dog and a house, and my kids say to me, "What do you think I should do, Dad?

I used to love Danish. My father used to make a Boston cream pie. You never see that anymore. Very good. My father was a lesson.

He had his own bakery, and it was closed one day a week, but he would go anyway. He did it because he really loved his bakery.

It wasn't a job. That's supposed to be a fact, that the question mark is originally from an Egyptian hieroglyph that signified a cat walking away.

You know, it's the tail. And that symbol meant--well, whatever it is when they're ignoring you. I remember once, years ago, I was walking out a door--I'd been having a conversation and I was walking out the door, and this guy said to me, "Chris," and I stopped and I turned, and he said, "Be careful.

And it comes back to me often: Be careful. That was good advice. Well, I missed the boat on computers.

I think I was really just on the cusp. If I had been a little bit younger, I probably would have a computer. But when they came along, it looked so boring to me that I just never bothered.

But also when something is ubiquitous, it's almost redundant. I don't have a wristwatch either because if I need to know what time it is, I ask somebody.

I got stuck in an airport a while ago, and I always carry quarters so that I can use the payphone, and I tried all these payphones and they just didn't work.

I guess nobody uses them anymore. And somebody asked, "Would you like to use my cell phone? If I need to know something about something, I say to my wife, "Can you check this out on your computer", and she comes back within ten minutes with the information.

I use it, I just don't have it. On my last day of shooting I had already thought a long time about what I would like to take with me.

I had some beautiful cuff links. When I had finished my last scene and went back to my dressing room, everything was already gone. My weakness as a director was if somebody would ask me something I'd say, "Just do whatever you want".

My impression is that a director must be a little like a general. You'd hate me to be running a war because I wouldn't know what anybody is doing.

There are just certain roles--well, they never ask me to play the guy that gets the girl, even though I've been married for 41 years now, so I DID get the girl.

They come right in the house, through the cat door, and they bring their babies in. I get up at night and they're in the kitchen, eating all the cat food.

I never had kids, but I suspect if I did, I wouldn't encourage them to go to school. I never liked it myself.

I was always grateful for being taught to read. I figured that once that had been done for me, that's the big thing. A little bit of adding, subtracting, multiplying, that sort of thing.

And you have to learn to write, at least a letter. But beyond that, I think people are over-educated. I think education will come if you want it.

I read what I want to read, so that's what I know about. You can't know everything, so you should concentrate on what you're interested in.

The whole concept of general education-I think it makes for vague minds. I use punctuation, but I finish the sentence and put [in] a period but it's not necessarily where somebody else would.

I think everybody should talk the way they want. You go to school and you all sit there and all learn to do the same thing.

I guess it's necessary but it's too bad also, in a way. Kids, you know, get kind of restrained in a lot of ways. I probably wouldn't get a job as an English teacher.

I have good hair. I have a lot of hair. Whatever I do must be good for it, because I've still got so much. Every time I meet guys I went to school with, they've got no hair.

If somebody were to do the story of my life, not that anybody would, it would be about my wife and me around the house.

It would be like watching paint dry. Especially when I was younger--I was always a bit exotic. Never wore a hat because the hair was more important.

I know what I'm doing onstage. But in films I have to depend on the kindness of strangers. I asked this girl to go to the prom and she said she would but that she had a boyfriend, an older guy.

Then she took out her wallet and showed me a picture of this handsome guy with the hair, the teeth, who looked like a Greek statue.

I thought, "All right", and then I asked to see it again and said, "This is not a photograph.

You cut this out of a magazine. I'm so madly in love with him. His name is Elvis Presley. I had her in a compromising position.

That's what you get for lying. I avoid it as much as I can. I just can't stand it, it's really an ordeal.

And if it's an international flight, and you have to fill out those immigration cards? Stay home! The director of the video, Spike Jonze , saw that and said, "Christopher can dance.

Ask him to do the video". I rehearsed the dance every day for three weeks with the choreographer. Then we went to the location. We shot very quickly.

I think we made the whole thing in 12 hours. Don't be greedy! It makes you almost from another country. And I think that in movies that strangeness almost easily translates into menacing or malevolent.

When people do my voice and imitate me, I think it's almost that they're making fun of my accent. I grew up with people who spoke English as a second language.

It could be I have an accent. When it's good, it's always there. You're a bit like kids, and you're in a sandbox, and you're making it up--or you think you are.

A good director really is like a lifeguard. He sits on a big chair and he's got all these crazy kids in the sandbox and they're playing.

Every once in a while, one of them slips or falls out of the sandbox or whatever, and a good director just picks him up and puts him back inside and proceeds.

My life is anything but eccentric. I've been married for 46 years and I pay all my bills, and I live in a house where the lawn is always cut and I'm nice to my cat.

So you hope that they hired you because you have some particular quality that is going to be useful to them in the movie.

Good directors usually hire you and then they kind of leave you alone. And I'm protecting the dog, thinking, "If you touch that dog, I will crack you right in the face".

When I was a kid my parents gave me piano lessons and guitar lessons for a while, but I was never very good at it. I have big, sort of awkward hands.

It's hard to keep going when you don't get any better. Males in all nature, they have their plumage. I always think of my hair as a kind of attention-getting device.

You know, it basically says, "Look at me", and if you're in show business, that's not such a bad thing.

It might be difficult if I worked in an office. I really just stay home, except when I go to work. I have very acute listening skills.

Han kan sjunga men han kan inte göra mycket annat, sade hon om Elvis, enligt systern Lana Wood. De gifte sig när hon var 19 och blev ett av Hollywoods mest glamourösa par.

Han var en uppburen och välbetald stjärna även om han mest medverkade i B-filmer, hon var filmvärldens nya och mest lovande stjärnskott.

Men gick de skilda vägar. Natalie Wood och Robert Wagner hann med var sitt äktenskap innan de fann varandra igen.

Och vi har inte heller kunnat bevisa att det var en olycka. Det slutgiltiga problemet är att vi inte vet hur hon hamnade i vattnet, säger utredaren Ralph Hernandez vid Los Angeles-polisen i CBS-programmet.

Mer om oss här. Natalie Wood hittades drunknad efter att ha tillbringat kvällen med sin man Robert Wagner och deras vän Christopher Walken.

Arne Lapidus. Dela Kopiera länk. Länk kopierad. Facebook Twitter E-post.

Mit zehn Jahren hatte er in einem Fernsehsketch mit Jerry Lewis und Dean Martin zusammen mit seinem Bruder einen Tanzauftritt, der ihn später zu seiner Schauspielkarriere inspirierte. Joe Dreck. Christopher Walken gilt als einer der vielseitigsten und talentiertesten Schauspieler Amerikasobwohl er eigentlich immer Tänzer werden wollte. Dort verkörperte er einen link U. Mann unter Feuer. Namensräume Artikel Diskussion. Angefangen hat alles als Christopher Walken drei Jahre alt click here. War With Grandpa. Als ich Batman drehte, bekam ich sehr interessante Kleidung und andere Sachen als Ausstattung.

Christopher Walken Video

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