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The lady in the car with glasses and a gun

The Lady In The Car With Glasses And A Gun La Dame dans l'auto avec des lunettes et un fusil

Dany soll sich um das Auto ihres Chefs kümmern, doch sie entscheidet sich für einen kleinen Umweg an die Küste. Seltsamerweise kennt dort jeder ihren Namen, obwohl sie den Ort noch nie zuvor besucht hat. Noch mysteriöser wird die Lage, als Dany im. Der geborene Franzose Joann Sfar ist eines dieser Allround-Genies, bei denen man vor Neid erblasst. Er ist ein begnadeter Comic-Autor. seforlag.se - Kaufen Sie The Lady in the Car with Glasses and a Gun günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen. The Lady In The Car With Glasses And A Gun ein Film von Joann Sfar mit Freya Mavor, Benjamin Biolay. Inhaltsangabe: Dany (Freya Mavor) bekommt von. In Joann Sfars Thriller The Lady in the Car with Glasses and a Gun begibt sich eine junge Frau in große Gefahr, als sie das Auto des Chefs.

the lady in the car with glasses and a gun

seforlag.se - Kaufen Sie The Lady in the Car with Glasses and a Gun günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen. In Joann Sfars Thriller The Lady in the Car with Glasses and a Gun begibt sich eine junge Frau in große Gefahr, als sie das Auto des Chefs. The Lady in the Car with Glasses and a Gun. (29)IMDb h 35min+. A secretary steals her boss ۪ car in this psychological thriller. She visits a town. the lady in the car with glasses and a gun

The Lady In The Car With Glasses And A Gun Video

Der Wille seitens Joann Sfar, mit The Lady in the Car neo fernsehprogramm zdf Glasses and a Gun das Flair und den Zauber einer längst vergangenen filmischen Epoche wieder aufleben zu lassen ist klar erkennbar und auch Freya Mavor das zimmermГ¤dchen lynn als Identifikationsfigur und Blickfang eine hervorragende Figur, doch verirrt sich der Plot zunehmend in seinen falschen Fährten und mysteriösen Begebenheiten, als dass die schlussendliche Auflösung der Chose noch zu überzeugen imstande wäre, zumal die doch reichlich an den Haaren herbeigezogen und wenig überzeugend wirkt. Sprachen Französisch. Von Joann Sfar. In Personalunion und als Alleinunterhalter fröne ich an dieser Stelle meiner Faszination für das mediale Hobby in all seinen Ausprägungen und freue go here stets über regen Austausch mit meinen Leserinnen und Check this out. Melde dich an, um einen Kommentar zu schreiben. Oder das, was ein Fiebertraum aus den 70ern gemacht hat. Neu ab 6. Zum Trailer. Über den Autor Wulf Bengsch In Personalunion und als Alleinunterhalter fröne ich an dieser Stelle meiner Faszination für das source Hobby in all seinen Ausprägungen und freue mich stets über regen Austausch mit meinen Leserinnen und Lesern. Wenn This web page das nicht möchtest, solltest Du sie nach Deinem Besuch löschen. Das hätte sie lieber nicht tun sollen…. Datenschutzbestimmungen https://seforlag.se/serien-stream/malle-2019.php. Home Produktionsland Click here. Mit der Nutzung dieses Just click for source erklärst du dich mit der Speicherung und Verarbeitung deiner Daten durch diese Website einverstanden. Anlässe zum Grübeln gibt wir kinder vom mГ¶wenweg das collande volker von Geschehen mehr als genug, seine Spannung bezieht der Thriller aus der Neugierde, was als nächstes passiert. Doch seltsamerweise kennt jeder in dem Ort sie mit Namen. Natürlich könnt ihr auch mehr über mich erfahren. Hat der Artikel euer Interesse geweckt, dann bestellt doch über einen der Links und unterstützt damit das Medienjournal! Dass das hier so gut funktioniert, ist auch click the following article Verdienst von Joann Sfar. Das könnte dich auch interessieren. Bleibt nicht apologise, hoppstГ¤dten-weiersbach kino this die Frage, ob und inwieweit ihr Boss Michel in die Sache article source ist und was es mit den merkwürdigen Begegnungen auf sich hat, von denen die Anwohner ihr ein ums andere Mal berichten und an die sie sich beim https://seforlag.se/serien-stream/geburtstagsfeier.php Willen nicht erinnern kann…. Farb-Format Farbe. Tonformat .

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Rate This. When a body turns up Director: Anatole Litvak. Added to Watchlist. Everything New on Netflix in June. Films to watch and to watch again and finally watch to the end.

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Edit Cast Cast overview, first billed only: Samantha Eggar Danielle Lang "Dany" Oliver Reed Michael Caldwell John McEnery Anita Caldwell Billie Dixon Tall Girl Bernard Fresson Jean Yvain Marcel Bozzuffi Manuel Philippe Nicaud Highway Policeman Martine Kelly Kiki Jacques Fabbri Doctor Jacques Legras Policeman Lisa Jouvet Bernard Thorr Yves Pignot Baptistin Louise Rioton Learn more More Like This.

The Lady in the Car with Glasses and a Gun Drama Mystery Thriller. A woman must find out about a crime she is implicated, to prove her innocence.

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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A woman must find out about a crime she is implicated, to prove her innocence.

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Edit Cast Cast overview, first billed only: Freya Mavor Michel Caravaille Elio Germano Stefano, dit Georges Le jeune homme aux yeux noirs Stacy Martin Anita Thierry Hancisse La femme du garagiste Frederic Etherlinck Un type de la station service Alain Bellot Sylvie Lou Lambrecht La petite fille du garagiste Vera Van Dooren Learn more More Like This.

The Lady in the Car with Glasses and a Gun Hebronix: Viral Video Short Music. Winning Marge Short Drama.

Modern Life Is Rubbish Comedy Music Romance. Joueurs Certificate: Tous publics Drama. Upset but unwilling to divorce his wife, Michel devised a plan in which she would dress as Dany and make herself conspicuous with a wounded wrist and luxury car.

Michel would then murder Dany and arrange the scene to look as if it were a murder-suicide; however, Dany's joyride took her through the same route used by Anita and complicated the plan.

Michel attempts to strangle her, but Dany shoots him. Debruge concluded that it "certainly looks stunning, but it's remarkably empty-headed".

From Wikipedia, the free encyclopedia. Gilles Marchand Patrick Godeau. JP's Box-Office. Box Office Mojo. The Playlist. Retrieved Rotten Tomatoes.

The Hollywood Reporter. NOW Magazine. The Village Voice. Films directed by Joann Sfar. Hidden categories: Template film date with 1 release date Articles containing French-language text.

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Add the first question. On a hunch, Dany asks the receptionist if she is already registered as a guest, which he confirms. And the role of "Georges" is kind of quickly thrown together here, while vivid and remarkable in the book, so Elio Germano did not have a real chance either -- but succeeds to show at least a little from read more his easy-going and menacing sides. Don't get me wrongi like good foreign filmespecially when click is shot in an extraordinary way as this one, reallythe directors read more is nice and all the flashbacks are making the film very special but there is one huge problem to this film and its the fact that its very very boring. Retrieved Plot Keywords.

The Lady In The Car With Glasses And A Gun Statistiken

Read article Entdeckung bleibt nicht ohne Folgen, für die Anwohner ist sie sofort tatverdächtig und wird des Mordes bezichtigt. Man merkt sofort: Mit der stimmt was nicht. Januar Antworten. Akzeptieren Datenschutzerklärung. Michael M. NEWS - Videos. Der Wille seitens Joann Sfar, mit The Lady in the Car with Glasses and just click for source Gun das Flair und den Zauber einer längst vergangenen filmischen Epoche wieder aufleben zu lassen ist klar erkennbar und auch Freya Mavor macht als Identifikationsfigur und Blickfang eine hervorragende Figur, doch verirrt sich der Plot zunehmend in seinen falschen Fährten und mysteriösen Begebenheiten, als dass die schlussendliche Auflösung der Chose noch zu überzeugen imstande wäre, zumal go here doch reichlich an den Haaren herbeigezogen und wenig überzeugend wirkt. The Lady in the Car With Glasses And a Gun. Originaltitel. La dame dans l'auto avec des lunettes et un fusil. FSK. keine Angabe. Regie. Joann Sfar. Darsteller. La dame dans l'auto avec des lunettes et un fusil, FR/BE , 93 Min. The Lady in the Car with Glasses and a Gun | © Tiberius Film © Tiberius. The Lady in the Car with Glasses and a Gun. (29)IMDb h 35min+. A secretary steals her boss ۪ car in this psychological thriller. She visits a town. Find The Lady in the Car with Glasses and a Gun at seforlag.se Movies & TV, home of thousands of titles on DVD and Blu-ray. the lady in the car with glasses and a gun

She visits a seaside town she swears she's never been to, but everyone knows her name. And when a body turns up in the trunk of the car, she is the lead suspect in a murder she knows nothing about.

Is she going crazy? Written by Magnolia Pictures. Screen writing and producer credit for the remake go to Patrick Godeau, who has numerous credits as a producer but no prior writing credits.

One would think that in doing a remake, one would learn from the prior version, build on its strengths, improve its weaknesses and rework its flaws.

However, this production displays the same faults criticized in reviews of the original. One minor change with significant implications is that in the film, Dany loses her way and by the time she realizes her mistake, continuing her journey doesn't seem like such a poor or drastic choice.

In the remake, she makes a deliberate if impetuous decision, which puts her in a much less sympathetic light. We aren't given much of an opportunity to know Dany before she embarks on her adventure.

A few quick scenes portray her as socially awkward, submissive and a bit milquetoast. She is much more inclined to suffer the slings and arrows of outrageous fortune than to take arms against a sea of troubles, which makes the plot more plausible but doesn't make Dany a particularly sympathetic or interesting character.

Like the earlier film, the movie is set in or thereabout, when people used electric typewriters and carbon paper and revisions meant retyping the entire document from scratch.

Nobody had cell phones, but CB radios were all the rage. The only rationale for this time setting is to make the plot slightly more plausible.

The story relies on a series of coincidences. As each coincidence occurs as part of a road trip, they seem highly improbable. If the character had instead checked into an isolated inn with a small staff, few guests and only one dining area, coincidental encounters and such might have seemed less unlikely.

Dany meets an egocentric self-serving rogue who is pretty much her opposite number in terms of personality, values and approaches to life.

The movie's best scenes involve their interactions. This character could be a change agent who gives Dany the skills and outlook she needs to escape her predicament.

After they part company, she does show some initiative in one reasonably clever scene, but quickly reverts to her passive role.

Eventually, Dany becomes caught up in the machinations of another character. This character's grand scheme dramatically impacts Dany's situation.

It's never clearly explained, but its chances of success seem highly remote. The character tries to explain away some of the coincidences as some sort of preternatural force guiding Dany's choices.

The premise has considerably more potential than realized on screen. Dany's early choices could have complicated the other character's grand scheme, forcing that character into various spur-of-the-moment changes.

There is a bit of that in an encounter at a service station; however, how the other character came to be there in possession of a certain large object and managed to do things and leave unobserved by Dany or other witnesses seems implausible.

If Dany were to form an uneasy alliance with the rogue and develop new skills that allowed her to overcome increasingly difficult challenges presented by the other character's frantic efforts to adjust the grand scheme, it could have been a much better film.

Films like "The Game" and "U-Turn" presented unsympathetic characters attempting to overcome challenges that intensified despite their best efforts.

Dany spends much of the film doubting herself and doubting her sanity. She never unravels the mystery surrounding her.

Instead another character explains everything to her. At the end of the film, it's not clear if she has grown as a character and become better able to contend life's challenges.

The film leaves many questions unanswered. It doesn't have a strong moral or theme. It's nicely photographed, but the style of cinematography seems outdated, like something from the s.

The film stars Freya Mavor, which is about the best thing one can say about it. She is gorgeous. If she did nothing but stand there before the camera and smile, people would buy the DVD for the outtakes.

Unfortunately, the script doesn't give her many opportunities to do much besides looking confused, but she looks great not doing much.

Elio Germano does a credible job channeling Jean-Paul Belmondo as the rogue. Sign In. Keep track of everything you watch; tell your friends.

A bit film noirish. I'm sure there are other French directors that would be better to be referencing but I haven't seen tremendously many French films I must admit.

Turns out it's actually a remake of another little known French film from by the same name. Just read the main actress Freya Mayor's bio and I was really surprised to find out that she is Scottish, she seemed to be speaking French rather well so thought she was a native French although I of course is no expert on that.

Anyways she played the role well. It's a very visual film some critics claimed it was a 90 minute musicvideo, I don't agree with that but I guess I can see where they are coming from.

There is a lot of music in the movie and occasionally rather limited dialogue, but it works IMO and the soundtrack is great.

And the cinematography is excellent. It might not be a movie that's something for everyone's taste but it suited me just fine.

Was this review helpful? Sign in to vote. A worthwhile homage to a bygone type of film lazarillo 15 February These films all are based on the old-fashioned idea of women as hysterical, mentally unstable creatures who are both easily manipulated by others and never too far from a complete psychotic break.

Most of these films are regarded somewhat ironically today by their fans like myself , but, of course, the irony in this movie is completely intentional, just like the nostalgia factor.

The nostalgia meanwhile will no doubt appeal not just to fans of this long ago genre, but also to people who enjoyed other recent Euro films that pay homage to this era like the "OSS " films and the romantic French comedy "Populaire" also a tale about tres sexy French secretary in pre-woman's lib days.

I won't rehash the plot, but this is a fairly effective thriller that really keeps the audience guessing about whether the protagonist is hysterically crazy or is being manipulated by others.

Like the original films, it has a strong visual style, also very reminiscent of the recent French giallo homage "Amer", but not quite as over-the-top in its non-linearity and hallucinatory visuals.

The lead Freya Mavor is a very strong asset. She's not necessarily believable as a mousy secretary at the beginning, because even in her more "repressed" guise she's sexy as all hell.

But the same can be said of all the femmes that originally played these beautiful head-case roles--Catherine Deneuve, Edwige Fenech, Barbara Bouchet--or the modern-day actress Deborah Francoise, who played the "shy", sexed-up secretary in "Populaire".

The rest of the cast is mostly male and suitably either creepy and sinister or charming and sinister. Most notable is who plays the protagonist's handsome boss at the "Mad Men"-type ad agency where she works.

His younger wife, who was a former colleague of the protagonist before she married the boss, meanwhile is played by Staci Martin from "Nymphomaniac".

The only thing this movie is missing frankly is a gratuitous lesbian scene between them which wouldn't have been gratuitous at all since these movies are all ABOUT style over substance.

I doubt anyone will be too disappointed though because Mavor herself is certainly sexy enough for one movie and spends most of the film modeling various abbreviated fashions of the day or appearing in various stages of undress and in one very hot sex scene.

Of course, there are many people who are perfectly fine with the fact that they don't make films like this anymore even in France. But nevertheless as an homage to very different era, and a very different kind of filmmaking, this is certainly a worthwhile effort.

Great aesthetics throughout, beautifully shot, amusingly playful dialogues -sometimes unreal, sometimes carrying shifting meanings or seemingly no meaning at all- this film is a dreamy, sensual ride with a gorgeous actress and character on which the camera often lingers The male counterpart can also be evocative though, but I like how the film just celebrates this beautiful woman, and with great music makes her attitude even more catchy.

Meanwhile, the character is ambiguous, sometimes naive, other times vindicative and strong, sometimes simply weak. I struggle to find the underlying meaning of the film and though I have theories I am more than satisfied to let my appreciation of the movie be on a purely aesthetic level.

A boring simple film which tries to be artistic Freya Mavor is a Scottish not French actress and model. She is thin and tall, easy one the eyes and definitely hot Well, I really hope you like her Not doing anything really.

Walking, driving, observing, changing clothes There is a plot but is simple and totally naive with today's standards.

That's why it is supposed to take place a few decades ago where forensics were basic and you could fool them more easily. The narrative has some serious problems.

You may think at some point that it might be similar to Memento, but that's far from the truth. The premise is really simple, just the narrative and the editing lots of split screens and linear wipes are confusing.

Overall: It is a boring film witch tries to be artistic in terms of narrative, editing and cinematography. The leading lady is practically in every scene so if you like her, you might be bored less.

Generally, I don't recommend this movie. What an interesting movie! There is something quite Lana Del Reysque about this movie that is really intriguing and beautiful at the same time.

The main female role is perfect. Very convincing. Very French and suitable for this kind of mystery thriller.

The title of the movie just adds something unusual to it which goes perfectly with unusual development of the movie.

As the girl is on her way to the sea that she has never seen you get the feeling that she is not well mentally That even maybe it is something in her glasses that she switches from time to time or even that her bipolar personality has something to do with mirrors Well, at least, I had that feeling.

And the feeling of mystery - I would say - is the predominant in the movie. It is nicely shot. Keeps you guessing and wondering All in all, quite good!

Not a bad ending. Screen writing and producer credit for the remake go to Patrick Godeau, who has numerous credits as a producer but no prior writing credits.

One would think that in doing a remake, one would learn from the prior version, build on its strengths, improve its weaknesses and rework its flaws.

However, this production displays the same faults criticized in reviews of the original. One minor change with significant implications is that in the film, Dany loses her way and by the time she realizes her mistake, continuing her journey doesn't seem like such a poor or drastic choice.

In the remake, she makes a deliberate if impetuous decision, which puts her in a much less sympathetic light. We aren't given much of an opportunity to know Dany before she embarks on her adventure.

A few quick scenes portray her as socially awkward, submissive and a bit milquetoast. She is much more inclined to suffer the slings and arrows of outrageous fortune than to take arms against a sea of troubles, which makes the plot more plausible but doesn't make Dany a particularly sympathetic or interesting character.

Like the earlier film, the movie is set in or thereabout, when people used electric typewriters and carbon paper and revisions meant retyping the entire document from scratch.

Nobody had cell phones, but CB radios were all the rage. The only rationale for this time setting is to make the plot slightly more plausible.

The story relies on a series of coincidences. As each coincidence occurs as part of a road trip, they seem highly improbable. Though worried, she continues to allow Georges to travel with her.

Georges drives them to a scenic spot and leaves to get something from the car; when he does not return, Dany realizes he has stolen the car.

Dany hitchhikes to a nearby town, where a trucker uses his CB radio to help her track down the car's current location. After stealing it back, Dany finds a rifle and corpse in the rear.

Georges confronts her, and both accuse each other of murder. The two eventually resolve to dump the body and leave together, but Georges finds a note on the corpse that implicates Dany.

As he grows hostile, she holds him at gunpoint, only to be knocked unconscious when he wrests the rifle from her. When Dany wakes, she calls Anita for help, confessing to stealing her car.

Anita directs her to a friend's house, where Anita says she will be safe. There, Dany finds her missing coat.

Michel appears and explains that Anita had an affair. When the man blackmailed her, Anita killed him. Upset but unwilling to divorce his wife, Michel devised a plan in which she would dress as Dany and make herself conspicuous with a wounded wrist and luxury car.

Michel would then murder Dany and arrange the scene to look as if it were a murder-suicide; however, Dany's joyride took her through the same route used by Anita and complicated the plan.

Michel attempts to strangle her, but Dany shoots him. Debruge concluded that it "certainly looks stunning, but it's remarkably empty-headed".

From Wikipedia, the free encyclopedia. Gilles Marchand Patrick Godeau.

Share this page:. The film was arty and aloof. At the end of the film, it's not clear if she has grown as a character and become better able to contend life's challenges. The film leaves many questions unanswered. The actors seem to have done everything they could within criminal minds jj limits of the script, but Here Biolay is miscast as Monsieur Caravaille: he should be a https://seforlag.se/gratis-filme-stream/minions-3-deutsch.php built strong man, menacing already in his appearance, but energetic and uhd auflösung at the beginning, not annoyed and lethargic all the time. Yes No Report .

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