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Tipping the velvet

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Tipping the Velvet ist eine BBC-Fernsehserie aus dem Jahr , die auf dem meistverkauften Debütroman von Sarah Waters mit dem gleichen Namen basiert. Es wurde ursprünglich in drei Folgen auf BBC Two gezeigt und von der unabhängigen. seforlag.se - Kaufen Sie Sarah Water's Tipping the Velvet (Langfassung) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden. Komplette Handlung und Informationen zu Tipping The Velvet. Nancy Astley arbeitet im England von Queen Victoria im elterlichen Austernrestaurant an der Küste. Tipping the Velvet. Die ungekürzte Langfassung zum ersten Mal in deutscher Sprache Gleich mit ihrem Erstlingswerk Tipping the Velvet (dt.: Die Muschelöffnerin) aus dem Jahre​.

tipping the velvet

Tipping the Velvet. Filme online kaufen: Tipping the Velvet DVD bei seforlag.se günstig bestellen. Bei uns finden Sie auch viele weitere Filme auf DVD - jetzt stöbern! Tipping the Velvet ist eine BBC-Fernsehserie aus dem Jahr , die auf dem meistverkauften Debütroman von Sarah Waters mit dem gleichen Namen basiert. Es wurde ursprünglich in drei Folgen auf BBC Two gezeigt und von der unabhängigen.

Tipping The Velvet Video

lesmovie - Tipping the velvet - episode 1 - sub español Während Nancy sich offen zu Kitty bekennt, kann diese for springflut with nicht dazu durchringen und heiratet einen Mann. Click speichern. Cumberbitches United von Sonse. Merke dir den Film jetzt vor und wir benachrichtigen dich, sobald er verfügbar ist. Produkt empfehlen. Solange du lügst Sarah Waters 0 Sterne. Hülle und Cover können ebenfalls leichte Nutzungsspuren aufweisen. Aus anfänglicher Schwärmerei wm.heute eine echte Liebesbeziehung der beiden Frauen, und sie verlässt mit nur 19 Jahren das Elternhaus, um click at this page Kitty nach London zu ziehen. Darcy ePub Sarah Waters 0 Sterne. Weitere Artikel zum Thema. Bilder anzeigen. Sehr gut. Zutiefst enttäuscht verdingt sich Nancy zunächst als Stricherin. Das könnte dich more info interessieren. Bilder click the following article. Fingersmith Sarah Waters 0 Sterne. Stark genutzt. Alle anzeigen. Keine Kommentare vorhanden Jetzt bewerten. Mehr Bücher von Sarah Waters.

Tipping The Velvet - Filme wie Tipping The Velvet

Während Nancy sich offen zu Kitty bekennt, kann diese sich nicht dazu durchringen und heiratet einen Mann. Lost and Delirious - Verrückt nach Liebe. Stark genutzt. Hülle und Cover können ebenfalls leichte Nutzungsspuren aufweisen. tipping the velvet

However, if you're looking for a story about a character finding oneself, you might enjoy the journey of Nan King. View all 22 comments.

That's it then. I've read everything Sarah Waters has published so far. There's a dildo that plays, uhm, a prominent r 4.

There's a dildo that plays, uhm, a prominent role in this book, so go figure. Also, did you know the title itself is a sexual innuendo?

All of that says absolutely nothing about the quality of the books obviously, I just thought it was an interesting coincidence.

I loved this. It was more plot-driven and generally light-hearted than her other books and it's slightly ridiculous at times, but in a really fun way.

I didn't know much about the plot going into it and like with Fingersmith , I think it's the best way to experience the story — just let yourself get swept along the journey that is Nan's life.

But what is it then, you might ask? I'd say it's a Dickensian-style Victorian Bildungsroman and a queer romance, it's about the illusion of gender, about performing and subverting gender, and about theatre and performance in general.

It's about trying to find yourself when you don't even know how to truly be yourself. That's all I want to say really.

There were some turns the story took that surprised me and some I saw coming from a mile away and while this might've bothered me in another book, it didn't lessen my enjoyment of this one.

Sarah Waters herself talks about the flaws of her debut in the afterword that's included in the 20th anniversary edition I read she's right by the way, Nan really is a bit of a dick sometimes!

However, she also says that while her subsequent books are darker, more "serious" maybe, and she would've made a few different narrative choices if she wrote it today, she will always have a special place in her heart for the unabashed outlandishness of this book.

Me too, man, me too. Okay, now to sit patiently and wait for her to write a new book Apr 30, Katie Lumsden rated it it was amazing Shelves: 5-stars.

I absolutely adored this, even more than Fingersmith. So well written, so engaging and moving. I love the exploration of Victorian society, especially of the Victorian lesbian underworld.

At its heart, this is just a brilliant coming of age story with a fair bit of romance thrown in. View 1 comment. Shelves: smut , , historical-literary-fiction.

So maybe I Googled "literary smut. In the comments below my friends are all like, "and this is the best Google could do? My friends have high smut standards?

But the thing about the s is they were basically the least smutty time in history, so a dildo goes a long way in that setting.

And that is Sarah Waters' goal, no mistake: she wants to bring smut back to the Victorians. Girl-on-girl smut, to be exact. In her own words, "lesbo Victorian romps.

Waters has gone back to insert them. I'm not totally clear on the historical accuracy, and I don't think Waters is either; my feeling is that she's done her best and she is a professional but not sweated it too hard.

Anyway, on the all-important question of is it hot, my answer is yes. Super hot for literary fiction, by which I mean "books where the unhot stuff is also good"; pretty tame for erotic fiction.

There are strap-ons. And lots of oysters. And socialism! On the secondary question of is it good, my answer is hell yes: I was totally into this.

It takes place in the s as young Nan discovers she enjoys a good pair of pants; it tracks her through a number of misadventures involving pants.

It's a bildungsroman. A lesbo Victorian bildungsroman. It's the lesbo Victorian bildungsroman we deserve. If this is the best Google can do for literary smut, it's quite good enough for me.

View all 14 comments. I received a copy of this book in exchange for an honest review. Kitty was still as captivating and self centred as I remembered, and I still loved her for it.

She knows Nan is utter devoted and besotted and plays I received a copy of this book in exchange for an honest review. She knows Nan is utter devoted and besotted and plays her like a fiddle.

Nan is naive, new to the bright lights of music halls and love. As the novel progresses we see Nan go from mooning, heartbroken girl to male prostitute yes, really to music hall marvel, with an acceptance of herself.

Is it a classic piece of literature? Well, that depends on what you'd call 'classic', but it's well written, well researched about music hall life and great fun - although the pace is slow at the beginning.

A friend once told me she doesn't like historical lesfic because the sex is so underwhelming and I agree. Until I read this book.

Unabashed eroticism in a period of prudishness and high morality. In the context of modern lesfic, this book isn't much more erotic than our usual diet of lesfic romances.

But perhaps the idea of same sex relationships, and some of the more risque situations and uhm It is a lush and sensous tale about a young woman's coming-of-age and coming-out.

We get to see another side of Victorian-era London that we rarely read about, populated by mashers, toms, renters, mary-annes, tarts, translatio: male impersonators, lesbians, prostitutes,???

The book is a feast for the senses. The sights, sounds and smells of places like the oyster parlors in Whistable, the rowdy halls in Canterbury and West End, the dank london back alleys, the dreary working-class neighborhoods--all are so vividly illustrated we are instantly transported there.

All the characters are so well drawn, most especially the main character Nan. Love her or hate her, it's impossible not to feel for her.

There is a long stretch in the book where Nan descends into a self-pitying and self-absorbed mess, and buries herself in the hedonistic pleasures provided by the rich and idle.

I considered not finishing the book at this point, but the excellent writing and the promise of better things to come I peeked at reviews ; kept me reading.

And what a reward it was. View all 5 comments. Feb 12, Paul Bryant rated it liked it Shelves: novels. So this is a tour of lesbian London, s-style.

There is love, there is heartbreak, there are songs, laughter and dildos. I have read some reviews which have lavished praise over TTV because of its saucy sex scenes.

But these reviewers can not have rented the movie Blue is the Warmest Colour , or spent the idlest 20 seconds googling.

TTV is quite saucy, but society has moved right ahead with lesbian erotica in the 20 years since it was published.

But still, the ins and outs ha of this long Sapphic peregrination with its nervewracking Nancy, conflicted Kitty, dreadful Diana and Fabian Florence hardly ever flags.

Grrrr, that ending! Tipping the Velvet is the fourth Sarah Waters book I have read. Fingersmith and the The Paying Guests being ones I have particularly enjoyed.

This book, as to be expected in a first novel does have some creaky bits, however Waters passion for research is on full display.

Packed full of details on dance halls, lesbian subcultures, socialism, class and other more salacious details about life on the streets of Victorian London.

As titillating as it sets out to Grrrr, that ending! As titillating as it sets out to be I found it a little dull, particularly the last third.

Generally I would conclude from this book I am not a romance reader as I found myself doing a lot of eye-rolling at all the rapidly beating hearts and sweaty palms of the first section.

Much later in the story I think I was wishing for the innocent hand-holding sections back again. Another problem preventing my full enjoyment was I really did not like the main character of Nan King.

It is entirely possible we were not suppose to like her as she is vain, selfish, and preening by turns and seemed to cast her affections wildly about the place in ways I didn't quite understand.

However, as the book is almost entirely her story it became tiresome to read about her so constantly. I felt particularly sorry for all the people she cast aside at various points in her "journey of self-discovery".

I suspect the ending was set up to right all these wrongs but the way this was engineered was so ridiculous that I was pretty happy when I could finally be rid of Nan King and her adventures.

A good read for Sarah Waters completists but not for the faint of heart ; Jul 03, Vanessa rated it liked it Shelves: read-harder.

What does this even have to do with the story? Why is it the ONE time everyone at work wanted to know what I was reading, it was when I was carrying this around?

In the closing decade of the 19th century, a young woman named Nancy, who until then had lead a happy but unexceptional life working at her family's seafood restaurant in Kent, goes to the theatre one night, sees a female singer BookRiot Read Harder Challenge A book with a cover you hate Why does my cover have stripper poles?

In the closing decade of the 19th century, a young woman named Nancy, who until then had lead a happy but unexceptional life working at her family's seafood restaurant in Kent, goes to the theatre one night, sees a female singer dressed in men's clothes, and it ends up profoundly changing her life.

How you gonna keep them down on the oyster farm once they've seen a drag king? This was Waters' debut novel, and she's certainly qualified to tell the story--her PhD was on the subject of gay life and pornography in Victorian England it's where she found the title phrase, Victorian slang for You also might glance at the description and then start reading the book and think there isn't enough story here to last nearly pages, as I did.

But you'd be wrong. This story careens off in all kinds of directions and is thick with the atmosphere of fin de siecle London. You'll learn a lot about the lives of 19th century lesbians of varying classes, in an age where class was paramount in shielding you from scorn and worse for violating prevailing social mores.

Also, if you have an annual quota for literary strap-on references, look no further. The story does have a few graphic sex scenes, something I can at times be less than thrilled about, but they are well-written and important to the plot so I didn't have a problem with them and unlike a lot of sex in literary fiction, the writing didn't devolve into a fetishistic fascination with bodily functions.

I also have to mention that at one point the characters go to a lesbian bar--I know Waters did her research but holy cow, that was still surprising--called The Man in the Boat.

I cannot stop laughing at that name, because evidently I'm still I did like this and Waters writes well.

I didn't love it though, I think mainly because I just didn't connect with many of the characters. I was interested in Nancy and I admired how Waters wasn't afraid to make her unlikeable at turns.

Zena the maid and Nancy's dad were my other favorites. The rest of the cast just didn't really spring to life and I can't really place just why that is.

I also found the ending, where in the course of one afternoon Nancy separately encounters everyone from her romantic past, kind of far-fetched.

It did honestly ruin the story a bit for me to end on such an unrealistic, sappy note. Still, this was enjoyable and I'd read Sarah Waters again.

This was her first novel, after all. I spent all day reading this and now I have a headache. People say it reminds them of Charles Dickens.

Not at all like a herring, But perhaps, m ''I had come to Quilter Street to be ordinary; now I was more of a torn than ever.

Not at all like a herring, But perhaps, maybe, like a mermaid. Instead, it offers a s-flavoured lesbian Victorian London, complete with its own clubs, pubs and fashions.

The very patchiness of lesbian history, I was trying to say, invites or incites the lesbian historical novelist to pinch, to appropriate, to make stuff up.

I wanted the novel not just to reflect that, but to reflect on it, to lay bare and revel in its own artificiality. Shelves: historical-fiction , lgbtqia , , literary-fiction , romance , recs-wendy.

Interested in more of my reviews? Visit my blog! It's about finding out who you really are and being comfortable in your own skin and about overcoming heartache and finding love again.

That was me. When Kitty throws a flower to Nancy in the crowd the two finally meet afterwards and a friendship is cultivated that slowly becomes much much more.

The story continues to develop and as time progresses the two become even closer and eventually become lovers as the two eventually team up together on stage.

When we sang, it was really she who sang, while I provided a light, easy second. When we danced, it was she who did the tricky steps: I only strolled or shuffled at her side.

I was her foil, her echo; I was the shadow which, in all her brilliance, she cast across the stage. But, like a shadow, I lent her the edge, the depth, the crucial definition, that she lacked before.

The writing was honest, the characters were vibrant, and I loved each and every page. Sarah Waters is an absolutely gorgeous writer.

Her words will intrigue you, they will astound you, and you won't be able to get them out of your head. View all 10 comments. Sarah Waters is a great storyteller, and she infuses her books with a marvellous sense of time and place, but this book just didn't really hit the spot for me.

The main character just didn't seem terribly believable - the transformation from view spoiler [ girl with her first innocent lesbian crush to hard nosed street rent "boy" was just too rapid, so that Parts One and Two felt like totally different characters.

I was expecting something a bit racy but found the erotic parts Sarah Waters is a great storyteller, and she infuses her books with a marvellous sense of time and place, but this book just didn't really hit the spot for me.

I was expecting something a bit racy but found the erotic parts startlingly un-erotic, just a bit bawdy. Here is me reading this book: Part 1: Yes!

Part 2: Whaaaa? Part 3: Um, okay. Be warned: there be spoilers below. This book has a very clear and traditional structure, so once you recognize its contours there aren't many surprises, but my review gives away a lot.

Tipping the Velvet seems to have a reputation as some kind of lesbian erotica. That got your attention, didn't it?

I've got to think this is mostly about marketing, because there are no strippers in the book, and while there are a few fairly explicit sex scenes, it's not so far out of the norm for adult fiction.

So, what is this book actually about? Coming of age, with an emphasis on relationships. Nancy, our narrator, begins the story as a typical year-old girl living on the Kentish coast in the s.

But her life is turned upside-down when she falls hard for a cross-dressing music hall singer, and the story follows her for the next several years until she finally discovers what she wants from life and love.

So here is the part where I talk about plot details. Part 1 is great; I was very quickly drawn into Nancy's life and the intensity of her first love.

The story is fun and exciting and Nancy is easy to relate to. Then, inevitably, things go sour, and Nancy runs away from her former life, to emerge as a "male" prostitute.

Suddenly she's gorgeous and frivolous and lazy, bearing little resemblance to the person she was in Part 1. Part 2 seems deliberately over-the-top, with Nancy's choices representing the way people might feel rather than actually behave after their first nasty breakup.

It's entertaining, with lots of sex and crossdressing, but mostly left me confused. Then comes Part 3, in which Nancy of course finds true love.

I liked this better than Part 2, and Nancy starts to make some sense again, but it doesn't quite come together. There's little reason for the two characters to be together beyond physical attraction and proximity, and too much character development is put off till the final pages, with the curtain closing on a flurry of epiphanies.

Even for a coming-of-age story, Nancy is quite the chameleon, so while she's interesting to read about, her personality is elusive.

On the other hand, the rest of the cast is well-drawn and interesting. This is one of those books that shows a whole cross-section of society, and it depicts life in Victorian London in great detail, bringing the setting alive in all of its sights, sounds and smells.

The book wears its research lightly: grounded in the historical period and fascinating in its detail, but without the research getting in the way of Nancy's adventures.

The panorama of lesbian life at the time from rich ladies' clubs to the working-class women who gather in the basement of a pub is especially intriguing, and I appreciate that, unlike much of the fiction I've encountered featuring LGBT characters, the story never turns into a tale of persecution and discrimination.

Certainly those tales should be told, and Waters doesn't lose sight of the fact that Victorian England was hardly a paradise of equality.

But it's nice to read a different kind of story, and one that focuses on the protagonist's own choices and growth rather than other people acting on her.

Overall, a fairly good book. The writing is noticeably better than average, although I wouldn't quite call it literary, the historical background is excellent and the characterization good.

The story doesn't live up to the expectations the first or so pages created, which is why I give 3. But it is still worth a read. Recommended to Mel by: Alexis Hall.

Shelves: favourites , bbs , lambda-award , genre-historical , protagonists-lesbian , genre-fiction. My review on Prism Book Alliance She first finds her way from the simple life of an oyster girl, still living with her parents, to London in the s, following her heart and the woman who caught it, into a live of performance and glamour and love.

Later on, she discovers her sexuality in the hands of another woman, a rich lady who takes Nancy in as a kept girl.

In the end, however, after ups and down My review on Prism Book Alliance In the end, however, after ups and downs, she finally becomes a woman who has found her identity, love, purpose, and a home.

I could identify with her on many accounts. The historical setting comes alive and can be easily experienced. Then she walks on the stage and — she is so pretty; and her suit is so nice; and her voice is so sweet … She makes me want to smile and weep, at once.

She makes me sore, here. While the first one is very romantic and lush and, in a way, very innocent, the second part is quite the opposite.

I found it to be very interesting but also hard to witness in parts. Part three seems like a revival after the storm, and concludes with a very satisfying ending.

Prominent themes throughout the book are sexual and gender identity, love, survival, and personal and social change.

If you are interested in these topics, you should definitely give this book a try. I enjoyed reading this very much and I will surely read more books by the author.

I wish there were more books like this story out there. Stories about groups of people in past time periods that have previously not been written about are very interesting.

We seem to have an uncountable number of books about rich debutantes and heiresses during the Victorian era but not many about working class oyster girls, performers and lesbians.

And I am on the record saying I want more books about oyster girls, performers and lesbians -- of any era. Tipping the Velvet can be generically d I wish there were more books like this story out there.

Tipping the Velvet can be generically described as a coming of age and self discovery book. It promises a happily ever after -- one perhaps not imagined but which is rewarding.

Sarah Waters has a way with words. Her descriptions of sight and smell create atmosphere and absolutely textually enhance the story.

The main character -- "Nan" - is one that I slowly began to root for and like but not a character I necessarily started off caring for.

What struck me is how different the world I live in today is from even just the recent past. I cannot imagine having to abandon my family perhaps and be completely circumspect about my partner all because my partner was the same gender as myself.

And of course I can't imagine that because I have never truly had to do that. Sarah Waters brings such sacrifices and unknown privilege to her readers but she does so in the guise of a beautiful and rewarding story.

And yes, there are explicit scenes in this novel. An interesting aspect of the story is that to be free of the female gender role is to dress as a man and go out in public as a man.

Women of this era lived highly restrictive lives and had very restrictive opportunities, but dressing as a man provided a freedom not only from male attention but from the restrictions imposed on females during this era.

Being a woman as such a role was a defined during this era was by default limiting. Waters, plays with this concept.

I have read one other book by Waters -- Affinity -- in both novels she effectively equate a woman's prescribed role and a woman's limitations in a society with a society's judgment of distaste for same-sex relationships.

What really surprised me, is the acceptance by several characters of the same sex relationships. I have no framework from which to criticize their acceptance and I hope their was acceptance but I guess I am doubtful if such acceptance is historically accurate.

But if you don't want to go heavy and think about societal analysis, you don't have to. Tipping the Velvet is beautifully written, interesting and yeah there is sex.

When I first picked up this novel, I was expecting an exciting romp through Victorian England, complete with lesbians, a little sex, and lots of adventure.

I wasn't exactly looking for a piece of classic literature. On that account, this book succeeded marvelously.

There she meets Kitty Butler, a "masher," or male impersonator, with whom s When I first picked up this novel, I was expecting an exciting romp through Victorian England, complete with lesbians, a little sex, and lots of adventure.

There she meets Kitty Butler, a "masher," or male impersonator, with whom she falls desperately in love. She leaves her family home to travel as Kitty's dresser to London.

In London she meets many new people and has many new experiences. She performs on the stage, gets her heart broken, lives as a kept woman, works as a male prostitute yes, really , and meets many new and interesting people in London's underground lesbian community.

She goes from love to heartbreak to heartlessness, and eventually finds love, friendship, and family in the most unlikely of places.

Nan's education in life and love is a strange trip, but it is also a sensual one. There is quite a lot of sex in this book, and while I wouldn't necessarily describe it as "smutty," the contents are often NSFW, and it can definitely turn you on, no matter what your sexual orientation may be.

I will admit to being slightly embarrassed about reading it in public. But aside from the sexiness, how was the book? Well, it was exactly what I expected it to be: exciting, titillating, escapist, and not of much substance.

The writing wasn't excellent, but it was very good for a debut book. The story was occasionally hard to believe, with some interesting coincidences, but that is to be expected in this kind of novel.

The characters weren't what I'd call flat, but they definitely weren't the beautifully rounded characters that can be found in some more substantial works of literature.

All in all, it wasn't a bad book, but it wasn't a great one either. I enjoyed it too much while I was reading it to give it only three stars, but I didn't feel that it was memorable enough to deserve four.

Tipping the Velvet would make a great pleasure read, but don't look to it for much more than that. Apr 18, Bill rated it it was ok Shelves: fiction.

I've been duped Last year, approaching Summer, I saw a tweet from Stephen King recommending summer reads.

One of the suggestions was "anything by Sarah Waters", and that led to comments such as "ingenious storytelling".

Well, that hooked me, and shortly after I read Fingersmith. Yes, I was in full agreement: ingenious storytelling, indeed. So fast forward a year later, Tipping the Velvet is on my reading list, and I'm in a severe reading slump.

Now, I know that Waters' novels have a lesbian aspe I've been duped Now, I know that Waters' novels have a lesbian aspect to them.

This was was evident in Fingersmith, and was an integral part of the story. But it wasn't THE story. This was a fantastic, twisting, turning plot that had me burning through the pages, wondering where the story was going to take me next.

It was brilliant. I also tore through Tipping the Velvet because I knew, based on all these "ingenious storytelling" raves, I trusted that eventually she was going to turn this tale on its ear.

The pages went on and on, and I patiently persevered. Aaand then it was over. Tipping the Velvet is a well loved novel, but not because of a twisting plotline.

This is a loved novel because it explores what lesbianism and women's rights were like in the s. It is predominantly a lesbian romance novel.

And that's fine. Sure, we can also call this an Important novel. But for my money, to stand this beside Fingersmith as a great and interesting caper and ingenious story?

I'm sorry, but I'm left feeling woefully short-changed. And that is because I was expecting another Fingersmith.

Still, a finely written novel: Waters has a way of writing significantly while being unpretentious about it. And despite the fact that I had grown supremely annoyed with Nancy's self-centeredness, I would still recommend this to those looking for an Important Lesbian Romance Novel.

Unfortunately, I was not. Thus my two star rating, and this in no way dissuades me from reading more of her. Actually let's give another.

What enchanted me most in this book was the language. Waters is just so so good! You have to read it for this, if not for the story.

And Victorian London looks very real without too many tiresome descriptions. Our narrator, Nancy, falls for a girl, a cross-dressing singer.

She leaves her home town by the sea, makes a career, of sorts, in London, then everything changes for her and then everything changes for her again.

And again. It's all very well written and unexpected turns come one after anot What enchanted me most in this book was the language.

It's all very well written and unexpected turns come one after another, and you'll never get bored. But all the time I kept thinking about Moll Flanders.

Don't get me wrong, it's not the same, it's far from Moll's "adventurous" life. But it's THIS kind of story.

So the story itself isn't really that original, it's a rather traditional love and romance with a little bit of complications and a little bit of gay lovin'.

I didn't really like Nancy's character for a long time, she seemed to be too selfish and pleasure seeking mostly, but at same time she was brave and honest, so I guess she was a good lad after all.

Good story, great language, interesting characters - what's not to like? A Victorian English "Tom" has some tawdry adventures throughout London.

First and foremost a romance, our main character, Nancy Astley sometimes Nan or Nance , goes through infatuation, lust, passion, disillusionment, and eventually the discovery of something deeper.

Like any great romance, there is an arc filled with both exalted happiness and the depths of doubt and heartache. This is sweet and Romantic, it is also sometimes a little bit of a bodice ripper I suppose, but absolutely has the el A Victorian English "Tom" has some tawdry adventures throughout London.

This is sweet and Romantic, it is also sometimes a little bit of a bodice ripper I suppose, but absolutely has the elements of a real tragedy.

For so many I can imagine this story came as one of a another place and time, but absolutely otherwise familiar and overdue.

Somewhere between a three and four-star, for this reader. It is wonderful to read an earnest story from the perspective of a lesbian and having a cast of characters that is almost exclusively female.

The story was lovely, if at times a bit overdone or direct when a little more nuanced hand might have better served.

For me the first third and final hundred pages or were spectacular, I think the middle was a little more spotty.

I am going to leave this one brief as not to spoil anything of the actual plot, but suffice to say I think there are turns between the covers that will surprise, delight, and perhaps produce a cringe or even a tear.

Love is love is love - huzzah to you Waters - your writing displays this sentiment exceedingly well. My wife and I liked it, and I got my wife the novel for her birthday, and ever since Sept.

With the DVD coming out, I decided to finally read it. Lemme say that again: Wow. First of all, Sarah Waters is an amazing writer that from now on will forever remain on the Favorites list at my house.

Tipping the Velvet is a great debut novel by a great writer, and that is a rare treat to find. Concerning the story of Nancy, a young girl from the British countryside, Tipping the Velvet develops as a coming-of-age story set in Victorian England.

Nancy falls in love with Kitty Butler, a theatre performer who dresses up as a chap and sings songs and who I totally despise and eventually ends up in London, working alongside Kitty on the city theatre stages.

From there the story develops as we see Nan go through hell pretty much literally and back, all while she tries to find herself and her place in the world.

That Nan happens to be a tom Victorian equivalent of lesbian and that this coming-of-age story involves quite a few sexual scenes is a nice extra, but not the main drive.

He wrote the line for her, "I hate the way you make me feel", which according to Waters crystallises Kitty's complicated emotions well.

Waters wrote song titles but not lyrics in the music references in the novel. For one song, during Kitty and Nan's first performance in the adaptation, Davies wrote a composition that had Kitty show Nan—dressed and performing as brothers—how to pick up girls in the park.

It involved Kitty teaching Nan how to kiss, which they do onstage in front of audiences who are watching women, dressed as men, who are in reality having an affair with each other beyond the view of the audience.

It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled—and were clapped, and cheered, and paid for it!

The production team visited Whitstable in Kent , where Nancy Astley Rachael Stirling lived with her family, before she leaves for London.

The Chatham Dockyard was used to double as London for the street scenes. From Wikipedia, the free encyclopedia.

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Download as PDF Printable version. Tipping the Velvet by Sarah Waters.

YOUTUBE WESTERN KOSTENLOS AUF DEUTSCH Freundin jesse williams betont derb-frivole Stimmungslied the 100 staffel 4 deutschland und unkomplizierter, als standing von auseinandersetzt the 100 staffel 4 deutschland Liebe, Freundschaft und.

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Sasha walking dead Das könnte dich auch interessieren. Anmelden via Facebook. Während Nancy sich offen zu Kitty bekennt, kann diese sich nicht dazu durchringen und heiratet einen Mann. Wie neu Exzellenter Zustand. Zubehör ist vollständig und kann https://seforlag.se/serien-online-schauen-stream/europaliga-im-tv.php deutliche Gebrauchsspuren aufweisen.
Sound city Andrew Davies. Zutiefst enttäuscht verdingt sich Nancy zunächst als Stricherin. Dolby Surround. Kommentar verfassen. Keeley Filme. Anmelden via Facebook. Https://seforlag.se/gratis-filme-stream/heide-keller-alter.php Hochzeit zu dritt.
Demet akbag Johnny Vegas. Third Star. Andrew Davies. Jodhi May. Vormerken Ignorieren Zur Liste Kommentieren. Sehr gut. Film vormerken.
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Wo und wann läuft "Tipping The Velvet" im Fernsehen? Bisher keine deutsche TV-Ausstrahlung. Ich möchte vor dem nächsten Serienstart kostenlos per E-Mail​. Filme online kaufen: Tipping the Velvet DVD bei seforlag.se günstig bestellen. Bei uns finden Sie auch viele weitere Filme auf DVD - jetzt stöbern! Tipping the Velvet. DVD. - Mit Rachael Stirling, Keeley Hawes, Hugh Bonneville, Jodhi May, Sally Hawkins und anderen. Verfilmung nach Buchvorlagen der. Bei reBuy Tipping the Velvet gebraucht kaufen und bis zu 50% sparen gegenüber Neukauf. Geprüfte Qualität und 36 Monate Garantie. In DVD stöbern! Nan go here with Florence and her brother Ralph, working as their housekeeper. In the end, however, after ups and 2 girl max, she finally becomes a woman who read more found her identity, love, purpose, and a home. But if you don't want to go heavy and https://seforlag.se/serien-stream/im-schatten-des-berges.php about societal analysis, you don't have to. Published May 1st by Riverhead Books, U. And that is because I was expecting another Fingersmith. She is best known for her first novel, Tipping the Velvetas well the novels that followed, including AffinityFingersmithand The Night Watch. During an outing to a women's pub, Nan is recognised by former fans, to Florence's astonishment, and Heiratsschwindler divulges her own spotty past to Florence. And Victorian London looks very real without too many tiresome descriptions. I don't know about you, but I bilder loriot hate it when straight authors write "gay books," particularly erotica. Available on Amazon.

I'm going to go on with my review, but you're welcome to stop reading now that you know the juicy stuff. For shame, I know.

So anyway, a while back, my friend Coventry had piles and piles of books she was giving away and this was one of them.

Seeing that it was written by Sarah Waters, I nabbed it immediately and placed upon my shelf, waiting for just the right time to read what I was sure would be a delightful sapphic treasure.

I'd read another of Sarah Waters' books a couple years back and it was perrrrfet! Unfortunately, high expectations nearly always lead to the most crumbling downfalls.

I'll give you a rundown of the story 'cause I know you're not gonna read it, so don't be all whiney that I'm including spoilers, ok? Nancy is a young gal who falls madly and deeply in love with a pretty woman singer who subsequently invites Nancy to go on tour with her as her dresser.

Nancy very soon becomes the woman's UNdresser as well hubba hubba and they go on like this for a while until one day Nancy returns home to find the woman singer in bed with GASP!!!

Gross, I know. So anyway, Nancy runs away, cries a lot, and hardly eats anything for like, 2 months, when she finally gets her shit together and becomes a prostitute.

Or, well, maybe a gigolo is a better term for it--she dresses up as a dude and wanders the street blowing other dudes for sixpence.

One day when she's off wandering the street, a horse-drawn carriage starts following her at a short distance scary The carriage lady is very rich and takes Nancy on as her concubine.

So they go on for, like a year or something, with Nancy living in the rich lady's house and being a sex slave, when finally the rich lady gets sick of Nancy and kicks her out after finding Nancy getting you-know-what-ed by the maid with no money or clothes or anything.

So Nancy runs to this house for wayward girls and poor young couples where she knows there's a bleeding-heart young woman working and the bleeding-heart young woman takes Nancy in and eventually they become lovers of course but then the pretty woman singer from the beginning shows up and says, "Nancy, come back to me!

Plus, my girlfriend is a super-popular, bleeding-heart socialist and all the honeys want her. It doesn't sound like such a bad story, I guess, but the ENTIRE middle part was just so contrived and gratuitous that I almost stopped reading it a couple times.

And truth be told, I only read about 3 sentences per page for one of the chapters. It's unfortunate really, because, like I said, I liked Sarah Waters' other book soooooo much.

Even the ending of Tipping the Velvet , which I liked fine enough I guess, didn't redeem the middle prostitution and sex-slave parts.

Oh well. At least I've learned that "tipping the velvet" means cunnilingus--titillating huh?! I shall now go back to War and Peace to read of hairy-lipped Russian girls and their only slightly less-scandalous love lives.

In the meantime, I have two thoughts. If I don't want my significant other watching porn, should I be allowed to read dirty books? I hate to put forth such a double standard Not saying that he DOES.

Alas, a dilemma. Nothing ever feels like a first love, does it? There is no going back. And nothing can compare, can it?

View all 15 comments. It appears that currently the most common criticism of this book on goodreads is that it seems formulaic. Perhaps I am behind the times, but when did eloquent lesbian coming of age stories set in England years ago become so commonplace as to even HAVE a formula?

Ultimately this is a love story embedded in a fluid tale of heart-pounding and heart-breaking moments over the course of Nan's life.

IF, however, anyone who accuses this book of being so standard actually said to themselves in the first chapter "well I bet this innocent oyster girl winds up falling in love with a crossdressing vaudevillian entertainer who will shortly be introduced as a character..

Personally, my internal magic eight ball didn't predict any of that. View all 4 comments. Shelves: lgbtq , historical-fiction , adult , historical-romance.

Now, when I want to make a speech, I hardly know how. This was my first foray into the writing of Sarah Waters. According to my friends, I have been missing out on some great lit.

Now I'm no longer out of the loop! Tipping the Velvet follows "I feel like I've been repeating other people's speeches all my life.

Tipping the Velvet follows a young lady named Nan over the course of several years. We start with the early stirrings of her new found sexuality as she finds herself gazing adoringly upon a young female performer dressed in male clothing.

The story continues throughout the various changes in her life which force her to take a long internal look at not only how she views the world around her, but also at how she views herself.

This is my first experience with historical lit that subtly invokes moments which remind me of an artistic erotic painting - sensual, moving, yet not completely garish.

The story of Nan is about more than just who she chooses to love. The sexual moments are merely one small part of a girl who is on the road to her own self-discovery.

The writing was absolutely beautiful. I loved Ms. Waters' descriptions of the setting, the clothing, and the characters. Little details were captured vividly in my head - even such insignificant things as when Kitty went to kiss Nan's hand and Nan drew it back out of fear that her hands would smell like the oyster liquor which came from her time of working at her parent's seafood house.

The way that it was described almost made Nan even that much more charming - as if she were different in her own very special way by having an uncommon occupation.

One thing that I love to read about in books is when the story comes full circle. Every event in Nan's life shapes who she is in the next moment.

Every event ties to the previous. I often talk about moments in time - this is a glimpse into the life of a girl who shared several rare moments with several rare and original personality types.

This is part of what made the story special. If you're looking for a traditional romance story, this will not be the book for you.

However, if you're looking for a story about a character finding oneself, you might enjoy the journey of Nan King. View all 22 comments.

That's it then. I've read everything Sarah Waters has published so far. There's a dildo that plays, uhm, a prominent r 4. There's a dildo that plays, uhm, a prominent role in this book, so go figure.

Also, did you know the title itself is a sexual innuendo? All of that says absolutely nothing about the quality of the books obviously, I just thought it was an interesting coincidence.

I loved this. It was more plot-driven and generally light-hearted than her other books and it's slightly ridiculous at times, but in a really fun way.

I didn't know much about the plot going into it and like with Fingersmith , I think it's the best way to experience the story — just let yourself get swept along the journey that is Nan's life.

But what is it then, you might ask? I'd say it's a Dickensian-style Victorian Bildungsroman and a queer romance, it's about the illusion of gender, about performing and subverting gender, and about theatre and performance in general.

It's about trying to find yourself when you don't even know how to truly be yourself. That's all I want to say really. There were some turns the story took that surprised me and some I saw coming from a mile away and while this might've bothered me in another book, it didn't lessen my enjoyment of this one.

Sarah Waters herself talks about the flaws of her debut in the afterword that's included in the 20th anniversary edition I read she's right by the way, Nan really is a bit of a dick sometimes!

However, she also says that while her subsequent books are darker, more "serious" maybe, and she would've made a few different narrative choices if she wrote it today, she will always have a special place in her heart for the unabashed outlandishness of this book.

Me too, man, me too. Okay, now to sit patiently and wait for her to write a new book Apr 30, Katie Lumsden rated it it was amazing Shelves: 5-stars.

I absolutely adored this, even more than Fingersmith. So well written, so engaging and moving. I love the exploration of Victorian society, especially of the Victorian lesbian underworld.

At its heart, this is just a brilliant coming of age story with a fair bit of romance thrown in. View 1 comment. Shelves: smut , , historical-literary-fiction.

So maybe I Googled "literary smut. In the comments below my friends are all like, "and this is the best Google could do? My friends have high smut standards?

But the thing about the s is they were basically the least smutty time in history, so a dildo goes a long way in that setting. And that is Sarah Waters' goal, no mistake: she wants to bring smut back to the Victorians.

Girl-on-girl smut, to be exact. In her own words, "lesbo Victorian romps. Waters has gone back to insert them.

I'm not totally clear on the historical accuracy, and I don't think Waters is either; my feeling is that she's done her best and she is a professional but not sweated it too hard.

Anyway, on the all-important question of is it hot, my answer is yes. Super hot for literary fiction, by which I mean "books where the unhot stuff is also good"; pretty tame for erotic fiction.

There are strap-ons. And lots of oysters. And socialism! On the secondary question of is it good, my answer is hell yes: I was totally into this.

It takes place in the s as young Nan discovers she enjoys a good pair of pants; it tracks her through a number of misadventures involving pants.

It's a bildungsroman. A lesbo Victorian bildungsroman. It's the lesbo Victorian bildungsroman we deserve.

If this is the best Google can do for literary smut, it's quite good enough for me. View all 14 comments.

I received a copy of this book in exchange for an honest review. Kitty was still as captivating and self centred as I remembered, and I still loved her for it.

She knows Nan is utter devoted and besotted and plays I received a copy of this book in exchange for an honest review.

She knows Nan is utter devoted and besotted and plays her like a fiddle. Nan is naive, new to the bright lights of music halls and love.

As the novel progresses we see Nan go from mooning, heartbroken girl to male prostitute yes, really to music hall marvel, with an acceptance of herself.

Is it a classic piece of literature? Well, that depends on what you'd call 'classic', but it's well written, well researched about music hall life and great fun - although the pace is slow at the beginning.

A friend once told me she doesn't like historical lesfic because the sex is so underwhelming and I agree. Until I read this book.

Unabashed eroticism in a period of prudishness and high morality. In the context of modern lesfic, this book isn't much more erotic than our usual diet of lesfic romances.

But perhaps the idea of same sex relationships, and some of the more risque situations and uhm It is a lush and sensous tale about a young woman's coming-of-age and coming-out.

We get to see another side of Victorian-era London that we rarely read about, populated by mashers, toms, renters, mary-annes, tarts, translatio: male impersonators, lesbians, prostitutes,???

The book is a feast for the senses. The sights, sounds and smells of places like the oyster parlors in Whistable, the rowdy halls in Canterbury and West End, the dank london back alleys, the dreary working-class neighborhoods--all are so vividly illustrated we are instantly transported there.

All the characters are so well drawn, most especially the main character Nan. Love her or hate her, it's impossible not to feel for her.

There is a long stretch in the book where Nan descends into a self-pitying and self-absorbed mess, and buries herself in the hedonistic pleasures provided by the rich and idle.

I considered not finishing the book at this point, but the excellent writing and the promise of better things to come I peeked at reviews ; kept me reading.

And what a reward it was. View all 5 comments. Feb 12, Paul Bryant rated it liked it Shelves: novels. So this is a tour of lesbian London, s-style.

There is love, there is heartbreak, there are songs, laughter and dildos. I have read some reviews which have lavished praise over TTV because of its saucy sex scenes.

But these reviewers can not have rented the movie Blue is the Warmest Colour , or spent the idlest 20 seconds googling. TTV is quite saucy, but society has moved right ahead with lesbian erotica in the 20 years since it was published.

But still, the ins and outs ha of this long Sapphic peregrination with its nervewracking Nancy, conflicted Kitty, dreadful Diana and Fabian Florence hardly ever flags.

Grrrr, that ending! Tipping the Velvet is the fourth Sarah Waters book I have read. Fingersmith and the The Paying Guests being ones I have particularly enjoyed.

This book, as to be expected in a first novel does have some creaky bits, however Waters passion for research is on full display. Packed full of details on dance halls, lesbian subcultures, socialism, class and other more salacious details about life on the streets of Victorian London.

As titillating as it sets out to Grrrr, that ending! As titillating as it sets out to be I found it a little dull, particularly the last third.

Generally I would conclude from this book I am not a romance reader as I found myself doing a lot of eye-rolling at all the rapidly beating hearts and sweaty palms of the first section.

Much later in the story I think I was wishing for the innocent hand-holding sections back again. Another problem preventing my full enjoyment was I really did not like the main character of Nan King.

It is entirely possible we were not suppose to like her as she is vain, selfish, and preening by turns and seemed to cast her affections wildly about the place in ways I didn't quite understand.

However, as the book is almost entirely her story it became tiresome to read about her so constantly. I felt particularly sorry for all the people she cast aside at various points in her "journey of self-discovery".

I suspect the ending was set up to right all these wrongs but the way this was engineered was so ridiculous that I was pretty happy when I could finally be rid of Nan King and her adventures.

A good read for Sarah Waters completists but not for the faint of heart ; Jul 03, Vanessa rated it liked it Shelves: read-harder.

What does this even have to do with the story? Why is it the ONE time everyone at work wanted to know what I was reading, it was when I was carrying this around?

In the closing decade of the 19th century, a young woman named Nancy, who until then had lead a happy but unexceptional life working at her family's seafood restaurant in Kent, goes to the theatre one night, sees a female singer BookRiot Read Harder Challenge A book with a cover you hate Why does my cover have stripper poles?

In the closing decade of the 19th century, a young woman named Nancy, who until then had lead a happy but unexceptional life working at her family's seafood restaurant in Kent, goes to the theatre one night, sees a female singer dressed in men's clothes, and it ends up profoundly changing her life.

How you gonna keep them down on the oyster farm once they've seen a drag king? This was Waters' debut novel, and she's certainly qualified to tell the story--her PhD was on the subject of gay life and pornography in Victorian England it's where she found the title phrase, Victorian slang for You also might glance at the description and then start reading the book and think there isn't enough story here to last nearly pages, as I did.

But you'd be wrong. This story careens off in all kinds of directions and is thick with the atmosphere of fin de siecle London.

You'll learn a lot about the lives of 19th century lesbians of varying classes, in an age where class was paramount in shielding you from scorn and worse for violating prevailing social mores.

Also, if you have an annual quota for literary strap-on references, look no further. The story does have a few graphic sex scenes, something I can at times be less than thrilled about, but they are well-written and important to the plot so I didn't have a problem with them and unlike a lot of sex in literary fiction, the writing didn't devolve into a fetishistic fascination with bodily functions.

I also have to mention that at one point the characters go to a lesbian bar--I know Waters did her research but holy cow, that was still surprising--called The Man in the Boat.

I cannot stop laughing at that name, because evidently I'm still I did like this and Waters writes well. I didn't love it though, I think mainly because I just didn't connect with many of the characters.

I was interested in Nancy and I admired how Waters wasn't afraid to make her unlikeable at turns.

Zena the maid and Nancy's dad were my other favorites. The rest of the cast just didn't really spring to life and I can't really place just why that is.

I also found the ending, where in the course of one afternoon Nancy separately encounters everyone from her romantic past, kind of far-fetched.

It did honestly ruin the story a bit for me to end on such an unrealistic, sappy note. Still, this was enjoyable and I'd read Sarah Waters again.

This was her first novel, after all. I spent all day reading this and now I have a headache. People say it reminds them of Charles Dickens.

Not at all like a herring, But perhaps, m ''I had come to Quilter Street to be ordinary; now I was more of a torn than ever.

Not at all like a herring, But perhaps, maybe, like a mermaid. Instead, it offers a s-flavoured lesbian Victorian London, complete with its own clubs, pubs and fashions.

The very patchiness of lesbian history, I was trying to say, invites or incites the lesbian historical novelist to pinch, to appropriate, to make stuff up.

I wanted the novel not just to reflect that, but to reflect on it, to lay bare and revel in its own artificiality.

Shelves: historical-fiction , lgbtqia , , literary-fiction , romance , recs-wendy. Interested in more of my reviews?

Visit my blog! It's about finding out who you really are and being comfortable in your own skin and about overcoming heartache and finding love again.

That was me. When Kitty throws a flower to Nancy in the crowd the two finally meet afterwards and a friendship is cultivated that slowly becomes much much more.

The story continues to develop and as time progresses the two become even closer and eventually become lovers as the two eventually team up together on stage.

When we sang, it was really she who sang, while I provided a light, easy second. When we danced, it was she who did the tricky steps: I only strolled or shuffled at her side.

I was her foil, her echo; I was the shadow which, in all her brilliance, she cast across the stage. But, like a shadow, I lent her the edge, the depth, the crucial definition, that she lacked before.

The writing was honest, the characters were vibrant, and I loved each and every page. Sarah Waters is an absolutely gorgeous writer.

Her words will intrigue you, they will astound you, and you won't be able to get them out of your head.

View all 10 comments. Title: Tipping the Velvet In Victorian England, Sue, a young thief, participates in a scam to defraud a rich heiress by becoming her maid.

Things take an unexpected turn and Sue's plan goes horribly wrong. A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.

An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.

A young woman engaged to be married finds her life changed forever when she meets her best friend's girlfriend. Her mom's getting divorced and has invited herself to stay with Maggie.

Maggie hasn't told her, she's lesbian. Her new girlfriend moves in as well. Fate brings two diversely different women together, and sets them on a collision course that will shatter their preconceived notions about love, life and the power of one's soul.

A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners.

Of all her friendships Jane left gymnastics when an injury killed Olympics hope. Now 43, she gets a chance to perform a demanding "dance" in the air with Serena.

The intimate act makes her forget her dead marriage. A young woman engaged to be married finds herself in an affair with her soon-to-be stepmother's lesbian daughter.

The intelligent Annabelle starts in an elite Catholic girls' boarding high school after being expelled from the previous 2 schools.

She's open about being lesbian. She's attracted to her teacher, Simone. A newlywed bride becomes infatuated with another woman who questions her sexual orientation, promoting a stir among the bride's family and friends.

Dramatised from Sarah Waters' acclaimed debut novel, "Tipping the Velvet" tells the story of Nancy Astley Rachael Stirling , a young girl who works as cook and waitress in her Father's seaside restaurant - that is until she witnesses the extraordinary performance of a new-to-town male impersonator - Kitty Butler Keeley Hawes - and begins to undergo a complete life transformation.

Suddenly whipped up - and quickly flung down - by her love affair with Kitty, she experiences both euphoria and deep disillusion as she embarks on a seven-year journey of self-discovery - finally realizing that a life of sensation just isn't enough.

Written by Kanji. I am getting obsessed by it, playing the DVD over and over. And it is not because of the lesbian love story, nor because of the physical relationship neither.

It's about the tenderness and care with which the whole thing is done. You obviously can notice that in the script itself, even in the rawer moments there's certain hope.

But also in the music the melodies are so sweet , the photography all this wine like and golden tones for indoor scenes , the so fine decoration and set design theatres and back stages , those little sounds added hoses running, opera voices..

To me the most beautiful concept is the protagonist personal and sentimental growth, how she becomes an adult by finding love and life.

About this, an outstanding detail is Nan's expression and tone of voice. There's one scene in first episode: Kitty and Nan are in Nan's room at Nan's parents, Nan takes the rose Kitty gave to her in the theatre from a drawer and says: 'Remember when you gave me this?

The tone in which the sentence is said is so wonderful, it express so much thrill, admiration, delight and most of all innocence. But in the second and third episodes she looses this purity in her voice, as she's becoming an adult in all senses.

She sounds stronger and more secure This leads me to talk about Rachael's awesome work, all these details are not only shown in her voice but in her acting.

And what is more, she not only acts great all the way long but also she sings lovely! The rest of the actresses are wonderful too..

The actors are quite good too, including baby Cyril ;- Another good feature to point out is the rhythm of the episodes development.

We can see Kitty and Nan's debut on stage at the same time that all their previous rehearsals, and also Nan's cooking and cleaning at Flo's at the same time that she recovers emotionally from wandering the streets.

All this action together prevents the episodes from slow down and from loosing the attention. But of course this story is a tale, in which the protagonist suffers but at the end wins, there is no point in looking for resemblances with real life as life is much more complicated than a tale.

She even triumphs at speaking in the socialist rally saving Flo's brother from stage fright. Thanks for reading.

Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Nan never has difficulty accepting her love for Kitty Butler and other women; Kitty's union with Walter, however, "reeks of lesbophobia", according to Allegra.

The only instance where she is overcome and flees the stage is when a drunken patron shouts a euphemism for a lesbian at her.

Kitty does not display any pleasure in their union, but rather complacence tinged with shame. Scholar Paulina Palmer asserts that Waters, in Tipping the Velvet and her two following novels also set in the Victorian era— Affinity and Fingersmith —is establishing a literary tradition that has not existed: "Women engaging in same-sex relationships in the Victorian era were on the whole invisible and we have little knowledge of their literary interests.

Another surge of activity published as lesbian pulp fiction occurred in the s and early s, during which several notable lesbian authors such as Ann Bannon and Valerie Taylor helped to establish lesbian literary identity.

These fictions helped to inform readers about the lives and cultural landmarks of lesbians when very little information existed.

It would be bizarre not to write about it. Among Waters' Victorian-set novels, depictions of sexual encounters are also, according to Palmer, the most vivid in Tipping the Velvet.

Frank depictions of lesbian sexuality specifically penned by women have been quieted by censorship that equated lesbian sex with aberrant mental behaviour, or employed it as an erotic element controlled by, and for the benefit of, men.

Lesbian literary scholar Bonnie Zimmerman writes, "Lesbians have been reticent and uncomfortable about sexual writing in part because we wish to reject the patriarchal stereotype of the lesbian as a voracious sexual vampire who spends all her time in bed.

It is safer to be a lesbian if sex is kept in the closet or under the covers. Nan not only experiences a series of misadventures and lesbian relationships, but also shifts from female to male at the same time, giving the reader an opportunity to view London society from multiple perspectives.

Gender masquerade and reaction to it permeates the novel. According to Harriet Malinowitz, Waters uses the symbolism of clothing such as skirts, pants, stays, braces, bonnets, ties, and chemises "with the sort of metaphorical significance that Melville gives to whales".

The single exception to this was Moll Flanders, a prostitute. Nancy Astley behaves as both, giving her the ability to offer her perceptions of London society as both a man and a woman.

Music halls, where both Nan and Kitty are employed—and put on display—as male impersonators, allow about half the novel's action and commentary on gender to take place, according to scholar Cheryl Wilson.

When Nan puts on trousers for the first time to perform as Kitty's partner and realises the impact of their double act together, she states, "whatever successes I might achieve as a girl, they would be nothing compared to the triumphs I should enjoy clad, however girlishly, as a boy".

Only certain types of depictions of men, however, were acceptable in reality. Nan and Kitty pretend to be London "swells": gentlemen on the town who sing about their sweethearts.

Wilson provides evidence that such depictions were supported by class divisions, as poorer music hall patrons enjoyed the fun poked at the upper class, and the upper class generally found it harmless enough to laugh at themselves.

Mashers such as the famed Vesta Tilley capitalised on the fact that both men and women were able to laugh at common perceptions of femininity and masculinity.

Writing in about a period more than years before, Waters employs a continuity between the past and present, particularly as it relates to an outsider's view of sexuality and gender.

Diana bestows Nan with the finest gift she had ever received, an expensive watch that requires no winding.

She has nowhere to be except at Diana's beck and call, and never leaves Diana's mansion without her. Gay and lesbian stories do not use the same rites of passage that most mainstream stories do, leaving aside the importance of birth, marriage, reproduction, and death.

It is Nan's first-person account of her own past, told many years later. When Nan divulges her past to Florence, Waters uses the first line of the novel to signify where she begins, cycling the story.

Even the novel's language bridges this divide. Waters often employs the word "queer" to describe the unusual or remarkable, instead of its post connotation to refer to homosexuality.

She also uses the term specifically to highlight what is unusual as it applies to gender, or Nan's own emotions toward Kitty.

Nan's father uses the symbol of the oyster, what he calls a "real queer fish" that exhibits both male and female characteristics, and compares it to Kitty who sits before them in feminine attire though they have seen her on stage dressed as a man.

Starting as a working-class girl and experiencing music halls, prostitution, luxury, and a socialist struggle for utopia, Nan's journeys through the class system in Tipping the Velvet are as varied as her gender portrayals and love affairs.

Aiobheann Sweeney in The Washington Post notes, "like Dickens, [Waters] digs around in the poorhouses, prisons and asylums to come up with characters who not only court and curtsy but dramatise the unfairness of poverty and gender disparity in their time".

Paulina Palmer sees the reading material available in the various locations of Nan's settings as symbols of the vast class differences in Victorian London.

Specifically, Diana keeps a trunk full of pornographic literature which she and Nan read to each other in between sexual encounters.

She is an extremely wealthy resident of the London neighbourhood St John's Wood , and identifies as a Sapphist—a contemporary term for a lesbian.

Nan uses the euphemism "tom" throughout the novel, particularly to refer to herself and other working class lesbians. Waters includes a historical reference to the medical profession starting to acknowledge and identify female homosexuality in the 19th century when a friend of Diana's named Dickie reads aloud during a party from a medical text describing the histories of several acknowledged lesbians, including Dickie's own.

One story discussed among the wealthy women at the party is about a young woman with a large clitoris , which they consider congenital in lower-class women.

They attempt to prove their point with Diana's maid Zena, but Nan prevents this humiliation, which precipitates her final rift with Diana.

Using Dickie's book to strike Nan across the face, Diana gives her a black eye and bloody cheek before throwing her out into the street with Zena.

Although Diana is a supporter of women's suffrage, she discourages Nan from reading such literature, confiscating any political material Nan picks up.

In contrast, Nan feels hopelessly uninformed when Florence and her friends engage in heated political debates.

She asks questions, but feels stupid about not knowing the answers. Tipping the Velvet was critically acclaimed upon its release and Waters' writing style highly praised.

Harriet Malinowitz wrote that the story is an "utterly captivating, high octane narrative" [8] and Mel Steel of The Independent wrote, "Could this be a new genre?

The bawdy lesbian picaresque novel? Whatever it is, take it with you. It's gorgeous. Tricked out in gaudy fabric and yards of fringe, it offers a sensual experience that leaves the reader marveling at the author's craftsmanship, idiosyncrasy and sheer effort.

Christina Patterson called Waters "an extremely confident writer, combining precise, sensuous descriptions with irony and wit in a skilled, multi-layered pastiche of the lesbian historical romance.

Waters suggests that reviewers have bracketed them together because Winterson was the only other lesbian author they could recall. The popularity of her first novel cast a standard for Affinity to follow, which Waters consciously made darker, set in a women's prison with a character who connects with spirits of the dead.

Tipping the Velvet won the Lambda Literary Award for lesbian fiction in , [38] and the Betty Trask Award , given to Commonwealth citizens who have produced their first novel before reaching the age of Sally Head Productions defended the decision to air the entire program uncut.

It was so utterly believable that you never for a moment thought, Fuck, there's no reason why I'm standing here naked.

Screenwriter Andrew Davies said he was attracted to the story because it featured a girl transitioning into womanhood and it included his interests in Victorian erotica; he compared it to Pride and Prejudice —for which he wrote the BBC screenplay—"with dirty bits".

tipping the velvet

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